모아나 (2016년 영화) - 위키백과, 우리 모두의 백과사전

모아나 (2016년 영화) - 위키백과, 우리 모두의 백과사전

모아나 (2016년 영화)

위키백과, 우리 모두의 백과사전.

모아나
Moana
감독론 클레먼츠
존 머스커
각본재러드 부시
원안론 클레먼츠
존 머스커
크리스 윌리엄스
돈 홀
패멀라 리번
에런 캔들
조던 캔들
제작오스냇 슈러
출연아울리 크러발리오
드웨인 존슨
레이철 하우스
테뮤라 모리슨
저메인 클레멘트
니콜 셰르징거
앨런 튜딕
편집제프 드러하임
음악마크 맨시나
린마누엘 미란다(노래)
오페타이아 포아이(노래)
제작사월트 디즈니 픽처스
월트 디즈니 애니메이션 스튜디오
배급사월트 디즈니 스튜디오 모션 픽처스
개봉일미국 2016년 11월 23일
대한민국 2017년 1월 12일[1]
시간107분
국가미국의 기 미국
언어영어
제작비1억 5천만 달러[2][3]
흥행수익6억 4300만달러

모아나》(Moana 또는 Vaiana, Oceania)는 미국에서 2016년 개봉한 3D 컴퓨터 애니메이션 뮤지컬 모험 영화이다. 디즈니의 56번째 애니메이션 작품으로, 론 클레먼츠와 존 머스커가 감독을 맡았다.[4]

==

Moana (2016 film)

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From Wikipedia, the free encyclopedia
Moana
Theatrical release poster
Directed by
Screenplay byJared Bush
Story by
Produced byOsnat Shurer
Starring
Cinematography
  • Rob Dressel (layout)
  • Adolph Lusinsky (lighting)
Edited byJeff Draheim
Music by
Production
company
Distributed byWalt Disney Studios
Motion Pictures
[a]
Release dates
  • November 14, 2016 (AFI Fest)
  • November 23, 2016 (United States)
Running time
107 minutes[1]
CountryUnited States
LanguageEnglish
Budget$150–175 million[2][3]
Box office$687.2 million[1]

Moana[b] is a 2016 American animated musical fantasy adventure film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. The film was directed by John Musker and Ron Clements, co-directed by Chris Williams and Don Hall, and produced by Osnat Shurer, from a screenplay written by Jared Bush, and based on a story conceived by Clements, Musker, Williams, Hall, Pamela Ribon, and the writing team of Aaron Kandell and Jordan Kandell.

The film stars Dwayne Johnson and Auliʻi Cravalho in her film debut as the voice of the eponymous character. It features original songs written by Lin-Manuel MirandaOpetaia Foaʻi, and Mark Mancina, and an original musical orchestral score also composed by Mancina. The film is set in ancient Polynesia and tells the story of Moana, the strong-willed daughter of a chief of a coastal village, who is chosen by the ocean itself to reunite a mystical relic with the goddess Te Fiti. When a blight strikes her island, Moana sets sail in search of Maui, a legendary demigod, in hopes of returning the relic to Te Fiti and saving her people. The screenplay takes inspiration from Polynesian myths.

Moana premiered during the AFI Fest at the El Capitan Theatre in Los Angeles on November 14, 2016, and was released theatrically in the United States on November 23. The film received positive reviews from critics, who praised its animation, music, and vocal performances. The film went on to gross over $687 million worldwide. Along with Zootopia, it marked the first time since 2002 that Walt Disney Animation Studios released two feature films in the same year, after Lilo & Stitch and Treasure Planet. At the 89th Academy Awards, the film received two nominations for Best Animated Feature and Best Original Song ("How Far I'll Go").[6] A sequel, Moana 2, was released on November 27, 2024, while a live-action remake is scheduled for release on July 10, 2026, with Johnson reprising his role as Maui in both.

Plot

On the Polynesian island of Motunui, the inhabitants worship the goddess of nature, Te Fiti; a living island who, long ago, brought life to the ocean using a pounamu stone as her heart and the source of her power. One day, Maui, the shape-shifting demigod of the wind and sea and master of wayfinding, stole Te Fiti's heart to give humanity the power of creation. This caused Te Fiti to disintegrate, and Maui was attacked by Te Kā, a volcanic demon. Maui lost both the heart and his magic fish hook to the depths of the sea.

A thousand years later, the ocean chooses Moana, the daughter of Motunui's chief Tui, to return the heart to Te Fiti. Tui and Sina, Moana's parents, try to keep her away from the ocean to prepare her to become the island's chief. Sixteen years later, blight strikes the island, killing vegetation and shrinking the fish catch. Moana suggests going beyond the island's reef with her pet pig, Pua, to find more fish and discover what is happening, but Tui forbids it. Moana tries conquering the reef, but is overpowered by the tides and shipwrecked. That afternoon, Moana's grandmother Tala shows her a secret cavern of ships and reveals Motunui's people were voyagers until Maui stole Te Fiti's heart; the ocean was no longer safe without it. Tala explains Te Kā's darkness is destroying the island, but can be cured if Moana finds Maui and has him restore the heart of Te Fiti. Having been given the heart by the ocean, Tala gives it to Moana. Tala later becomes gravely ill and tells Moana to find Maui.

Moana sets sail on a camakau from the cavern along with her dimwitted pet rooster, Heihei, who stowed away on it. They are caught in a typhoon and shipwrecked on an island, where she finds Maui, who boasts about his achievements. She demands Maui return the heart, but he refuses and traps her in a cave before leaving on her boat. She escapes and confronts Maui, who reluctantly lets her on the camakau. They are attacked by Kakamora, coconut pirates who seek the heart, but Moana and Maui outwit them. Moana realizes Maui is no longer a hero since he stole the heart and cursed the world, and convinces him to redeem himself by returning the heart. However, Maui first needs to retrieve his fishhook in Lalotai, the Realm of Monsters, from Tamatoa, a giant coconut crab. While Moana distracts Tamatoa, Maui retrieves his hook, only to find himself unable to control his shape-shifting. He is overpowered by Tamatoa, but Moana's quick thinking allows them to escape with the hook. Maui reveals his first tattoo was earned when his human parents abandoned him as an infant, and the gods, taking pity on him, granted him his powers. After reassurance from Moana, Maui teaches her the art of way-finding, regaining control of his powers, and the two grow closer.

They arrive at Te Fiti's island, only to be attacked by Te Kā. Moana refuses to turn back, resulting in Maui's hook being badly damaged. Unwilling to lose his hook again, Maui abandons Moana, who loses hope and tearfully asks the ocean to find someone else to restore the heart. The ocean obliges and takes the heart, but Tala's spirit appears, inspiring Moana to find her true calling.

Moana retrieves the heart and sails back to confront Te Kā. Maui returns, having had a change of heart, and buys Moana time to reach Te Fiti by fighting Te Kā, destroying his hook in the process. Upon being unable to find Te Fiti, Moana realizes Te Kā is Te Fiti, but corrupted without her heart. The ocean clears a path for Moana, allowing her to return the heart to Te Fiti, who heals the ocean and islands of blight. Maui apologizes to Te Fiti, who fixes his hook as well as Moana's boat before falling into a deep sleep and becoming an island. Moana bids farewell to Maui and Te Fiti, returning home and reuniting with her parents.

After placing a shell on top of the stack of stones placed by all previous chiefs, Moana takes up her role as chieftess and wayfinder, leading her people as they resume voyaging, accompanied by Maui.

Cast

Auliʻi Cravalho at the film's premiere in Samoa in December 2016

Production

Development

John Musker
Ron Clements
Directors John Musker and Ron Clements presented footage from the film at the 2016 Annecy International Animated Film Festival.

After directing The Princess and the Frog (2009), Clements and Musker started working on an adaptation of Terry Pratchett's Mort,[10] but problems with acquiring the necessary film rights prevented them from continuing with that project. To avoid a recurrence of that issue, they pitched three original ideas.[11] The genesis of one of those ideas (the one that was ultimately green-lit) occurred in 2011, when Musker began reading up on Polynesian mythology, and learned of the heroic exploits of the demigod Māui. Intrigued with the rich culture of Polynesia, he felt it would be a suitable subject for an animated film. Shortly thereafter, Musker and Clements wrote a treatment and pitched it to John Lasseter, who recommended that both of them should go on research trips.[12][13] Accordingly, in 2012, Clements and Musker went on research trips to FijiSamoa, and Tahiti to meet the people of the South Pacific Ocean and learn about their culture.[14] At first, they had planned to make the film entirely about Maui, but their initial research trips inspired Clements to pitch a new idea focused on the young daughter of a chief.[15]

Clements and Musker were fascinated to learn during their research that the people of Polynesia abruptly stopped making long-distance voyages about three thousand years ago. Polynesian navigational traditions had long predated those of European explorers, beginning around 300 CE.[16] Native people of the Pacific possessed knowledge of the world and their place in it prior to the incursion of foreigners. For example, Kānaka Maoli (Native Hawaiians) were well aware of the existence of far away islands, had names for these places, and were interested in exploring them to benefit their societies.[16] This voyaging heritage was made possible by a geographical knowledge system based on individual perspective rather than the European cardinal direction system.[16] The reasons for the halt of this voyaging tradition remain unknown, but scholars have offered climate change and resulting shifts in ocean currents and wind patterns as one possible explanation.[16] Native peoples of the Pacific resumed voyaging again a thousand years later. Clements and Musker set the film at that point in time, about two thousand years ago, on a fictional island in the central Pacific Ocean, which drew inspiration from elements of the real-life island nations of Fiji, Samoa, and Tonga.[17] (In reality, Motunui is an islet located south of Easter Island in Chilean Polynesia.)[18]

Over the five years it took to develop and produce the film, Clements and Musker recruited experts from across the South Pacific to form an Oceanic Story Trust, who consulted on the film's cultural accuracy and sensitivity as the story evolved through nine versions.[19] The Trust responded negatively, for example, to a depiction of Maui as bald, and to a proposed scene in which Moana threw a tantrum by throwing coconuts. In response, Maui was reworked with long hair and the coconut scene was scrapped.[15]

During the 2015 D23 Expo's panel for Disney's slate of upcoming animated films, Moana's last name was given as "Waialiki", but that name was not retained in the final film.[20]

Writing

Taika Waititi wrote the initial screenplay,[21] but went home to New Zealand in 2012 to focus on his newborn first child and What We Do in the Shadows.[22] Years later, Waititi joked that all that was left of his original draft was "EXT: OCEAN – DAY".[22] The first draft focused on Moana as the sole daughter in a family with "five or six brothers",[23] in which gender played into the story. However, the brothers and gender-based theme were deleted from the story, as the directors thought Moana's journey should be about finding herself.[13] A subsequent draft presented Moana's father as the one who wanted to resume navigation, but it was rewritten to have him oppose navigation so he would not overshadow Moana.[13] Instead, Pamela Ribon came up with the idea of a grandmother character for the film,[24] who would serve as a mentor linking Moana to ancient traditions.[23] Another version focused on Moana rescuing her father, who had been lost at sea.[25] The film's story changed drastically during the development phase (which happens with most Disney films), and that idea ultimately survived only as a subtle element of the father's backstory.[25]

Te Kā was referred to in early drafts of the film as Te Pō,[26] a reference to the Māori goddess Hine-nui-te-pō, who was originally the life-giving goddess Hine-tītama, but became the goddess of death upon discovering that her husband, the god Tāne, was also her father.[27] Māui set out to defeat her in order to bring immortality to humans, but failed and was himself killed.[28]

Aaron and Jordan Kandell joined the project during a critical period to help deepen the emotional story architecture of the film. They are credited with developing the core relationship between Moana and Maui, the prologue, the Cave of the Wayfinders, the Kakamora, and the collector crab Tamatoa (played by Jemaine Clement).[29] Jared Bush received sole credit as the writer of the final version of the screenplay.

Several major story problems were identified in 2015 after the film had already transitioned from development into production, but computer-generated films tend to have much shorter production schedules and much larger animation teams (in this case, about 90 animators) than traditionally animated films.[25] Since Clements and Musker were already working 12-hour days (and Saturdays) directing such a large team of animators, Don Hall and Chris Williams (who had just finished directing Big Hero 6) came on board as co-directors to help fix the film's story issues.[25] The scene in which Maui and Moana encounter the Kakamora is an intentional homage to Mad Max: Fury Road.[25]

Casting

Dwayne Johnson played the co-starring role of Maui in Moana.

After the filmmakers sat through auditions of hundreds of candidates from across the Pacific,[14] 14-year-old high school freshman Auliʻi Cravalho was cast as the lead character Moana.[30][31] At that point in time, the design of Moana's face and personality was already complete, and Cravalho's obvious physical resemblance to her character was simply a coincidence.[32] During animation production, Disney animators were able to integrate some of Cravalho's mannerisms into Moana's behavior as depicted onscreen.[32]

The majority of the film's cast members are of Polynesian descent: Auliʻi Cravalho (Moana) and Nicole Scherzinger (Sina, Moana's mother) were born in Hawaii and are of Native Hawaiian heritage; Dwayne Johnson (Maui), Oscar Kightley (Fisherman), and Troy Polamalu (Villager No. 1) are of Samoan heritage; and New Zealand-born Rachel House (Tala, Moana's grandmother), Temuera Morrison (Tui, Moana's father), and Jemaine Clement (Tamatoa) are of Māori heritage.

Animation

Moana is Clements and Musker's first fully computer-animated film.[14][33] One of the reasons for using computer animation was that the environment, including the ocean, benefited much more from the use of CGI as opposed to traditional animation.[34] The filmmakers have also suggested that three-dimensional computer animation is well-suited to the "beautiful sculpturing" of the faces of the people of the South Pacific.[35] Eric Goldberg worked on the hand-drawn animation used to depict Maui's sentient tattoos.[36][37] During early development, the filmmakers considered the possibility of making the film with hand-drawn traditional animation, but only a few early animation tests were made in that style. In the final cut, only Maui's tattoos are hand-drawn.[38]

Moana was produced in makeshift quarters in a giant warehouse in North Hollywood (together with Zootopia), while Disney Animation's headquarters building in Burbank was being renovated. Musker observed that Moana was similar in that respect to The Little Mermaid, which was produced in a warehouse in Glendale. Production wrapped on October 20, 2016.[39]

Music and soundtrack

The film's soundtrack was released by Walt Disney Records on November 18, 2016. The songs were written by Opetaia Foa'iMark Mancina, who previously collaborated with the studio on Tarzan and Brother Bear, and Lin-Manuel Miranda, while the score was written by Mancina.[40][41] The lyrics are in English, Samoan, and the Tokelauan language.[42] The soundtrack peaked at number two on the Billboard 200.[43] A song from the soundtrack, "How Far I'll Go" with words/lyrics by Lin-Manuel Miranda, was nominated for Best Original Song at the 89th Academy Awards.[44]

Localization

Rachel House reprised her role in the Māori version of Moana, and took over the direction of the dubbing.

In many European countries, the name of the titular character, Moana, was changed to Vaiana due to a trademark conflict. The film was released in those countries to bear the alternative name in the title.[45] In Italy, the film was released with the title Oceania;[46] media outlets speculated that the name change was to avoid confusion with Italian pornographic actress Moana Pozzi,[47][48] and Disney Italy's head of theatrical marketing, Davide Romani, acknowledged they were "thinking about the issue" at a meeting of Italian exhibitors in 2015.[48]

Following the success brought by international productions of Disney's Frozen, which led to the release of a complete set album which included all the official versions of "Let It Go" released at the time,[49] Disney decided to produce a special Tahitian dubbing for the film. On October 25, 2016, at a press conference in Papeete, it was announced that the film will be the first motion picture to be fully dubbed in the Tahitian language.[50] This marks the second time Disney has released a special dubbing dedicated to the culture which inspired the film: the first case was The Lion King (1994), for which the directors travelled to South Africa to cast voice actors for a Zulu-dubbed version.[51] The Tahitian dubbing was made available in schools and institutions, but never for the public to purchase.[52]

In June 2017, a Māori-language dubbing of the film produced by Matewa Media was announced,[53] premiering in Auckland on September 11, with 30 theatres screening it for free as part of Māori Language Week.[54] Rachel HouseJemaine ClementTemuera Morrison, and Oscar Kightley reprised their respective roles in this version, directed by Rachel House herself.[55] In contrast to the Tahitian dubbing, the Māori version was made available for purchase in Australia and New Zealand, and the soundtrack was uploaded on Disney's official Vevo channel.[56][57]

In November 2017, a Hawaiian-language (ʻŌlelo Hawaiʻi) dubbing was announced to be under way, with Auliʻi Cravalho reprising her role as Moana and Nicole Scherzinger reprising the role of Sina.[7] The film premiered on June 10, 2018,[58] and like the Tahitian dubbing, was later distributed for free to schools in Hawaii. It was never released for sale in home media form.[59]

  Highlighted versions were released later than 2016

Release

On October 20, 2014, Walt Disney Pictures announced that it would be releasing the film in late 2016,[64] and hinted that it might be the November 23, 2016, release window previously announced by the studio in March 2014 for a then-untitled film.[65] In November 2014, Disney confirmed that it would be releasing the film on November 23, 2016.[66] The film is accompanied by the short film Inner Workings.[67] The film's world premiere was held on the grand opening of the AFI Fest Celebration at the El Capitan Theatre in Los Angeles on November 14, 2016.[68]

On January 27, 2017, a sing-along version of Moana was released in more than 2,000 theaters in the United States, featuring on-screen lyrics.[69]

As part of Disney's 100th anniversary, Moana was re-released between October 13 to 26, 2023 in the United States, on October 14 in Helios theaters across Poland, and between October 26 to November 1 in Latin America opposite Coco.[70][71][72] This re-release included the short Once Upon a Studio, which was shown before the film.[73][74]

Marketing

Hawaiian Airlines Airbus A330-200 Moana logojet landing at McCarran International Airport in Las Vegas in March 2017

Prior to the film's first trailer, a Moana DVD appears in the 2016 film Zootopia, alongside Frozen 2 and the unproduced film Gigantic.[75] On October 15, 2016, Hawaiian Airlines unveiled their Moana-themed livery for three of their Airbus A330-200 fleet.[76] Disney initiating a partnership with Hawaiian Airlines[77] to promote the film has been perceived as having the motive of fetishizing Polynesian island nations as exotic vacation spots, the people and culture of which exist only to entertain foreign audiences,[78] as well as Auliʻi Cravalho speaking with The New York Times in an interview sharing travel tips for visitors to Hawaii.[79] Critiques of these promotional tactics focus on how adverse effects of tourism have devastated native communities in the Pacific, resulting in environmental degradation and poverty.[80]

A Maui "skin suit" costume made to tie in with the film was pulled by Disney from its online store following complaints about it being culturally insensitive[81] and for appearing to promote brownface.[82]

There are currently meet-and-greets with Moana at DisneylandWalt Disney WorldDisneyland Paris, and at Aulani, a Disney Resort and Spa. At the parks, she is located in Adventureland and is occasionally joined by Maui.[83]

At Hong Kong Disneyland, there is a stage show called Moana's Village Festival, which opened in 2018.

Home media

Moana was released by Walt Disney Studios Home Entertainment on Blu-ray (2D and 3D) and DVD in the United States on March 7, 2017, with a digital release on February 21, 2017. The releases include the short film Inner Workings. The Blu-ray release also introduces a short film featuring Maui and Moana titled Gone Fishing.[84] The film sold 4.4 million units and made a revenue of $116.3 million from home video sales, making it the best-selling film of 2017.[85] Moana was also released on the streaming service Disney+ on its launch date November 12, 2019.[86] A sing-along version of the film was released on Disney+ July 22, 2022.[87]

Reception

Box office

Moana grossed $248.7 million in the U.S. and Canada, and $438.4 million in other countries, for a worldwide total of $687.2 million.[1] On January 22 and March 16, 2017, respectively, the film reached the $500 million and $600 million marks, becoming the fourth consecutive Walt Disney Animation Studios film to reach both milestones after Frozen (2013), Big Hero 6 (2014), and Zootopia (2016).[88][89] Although Disney had not disclosed the film's production budget, most of its animated films cost around $150 million.[90][91] Deadline Hollywood calculated the net profit of the film to be $121.3 million, when factoring together all expenses and revenues for the film, making it the 12th-most profitable release of 2016.[2]

North America

In the United States, Moana was released during the Thanksgiving weekend. The film played in 3,875 theaters of which a majority of them (80%) screened it in 3D. It also played in 50 premium large-format screens and more than 400 D-Box screens. It was projected to take in around $50 million in three days, with $75–85 million in five days (some estimates going as high as $90 million).[92][93][94] Deadline.com said the numbers were good for the original Disney film and marked a great rebound for the company in the wake of Pixar's The Good Dinosaur the previous year, which had made $55 million over five days off a production budget of $175–200 million.[95]

Moana made $2.6 million from Tuesday paid previews which began at 7 pm, the highest ever for a Walt Disney Animation Studios film and for a non-Pixar Disney animated film.[96] On its opening day, it made $15.5 million, a new record for a Walt Disney Animation Studios film opening on Wednesday (breaking Frozen's record) and the biggest opening day ever for a film released on pre-Thanksgiving Day.[97] On Thanksgiving Day, it earned $9.9 million, a decrease of 36% from its previous day. On Black Friday—the highest-grossing day of the Thanksgiving stretch—it made $21.8 million, a 127% increase from the day before.[98] Through Sunday, the film posted a three-day opening weekend worth $56.6 million over its Friday-to-Sunday debut and $82.1 million from Wednesday to Sunday, the third biggest three-day Thanksgiving opening[99] (behind Frozen and Toy Story 2) and the second-biggest five-day Thanksgiving opening[100] (behind Frozen), dethroning Fantastic Beasts and Where to Find Them off the top spot. Among all films that did not necessarily open in this weekend but may have played, Moana ranks sixth among three-day[101] weekends and fifth among five-day weekends.[102]

The film's opening was considered to be another animated success for the studio after Zootopia and Pixar's Finding Dory posted huge openings, respectively, the same year in March and June.[103]

In its second weekend, the film dropped by about 50% for a total of $28.3 million, a smaller drop than Toy Story 2FrozenTangled, and The Good Dinosaur.[104][105] The film managed to top the box office for its third weekend, despite competition from newcomers and holdovers, earning $18.5 million while falling by 34%. It became the sixth film of 2016 to top the box office three times, following DeadpoolZootopiaThe Jungle BookFinding Dory, and Suicide Squad.[106] The film was overtaken by Disney's own Rogue One: A Star Wars Story in its fourth weekend, despite only a marginal decline.[107]

It fell to number six in its fifth weekend, due to competition from four new releases—SingPassengersWhy Him?, and Assassin's Creed—despite a small drop again; it grossed $2.9 million on Christmas Day.[108] On the holiday week of December 23–29, the film finished at number four with a gross of $26 million, which was 14% up from the previous week, despite losing over 300 theaters.[109] It finished at number four in its sixth weekend, going up 42% and 97%, respectively, during the three-day[110] and four-day weekends;[111] it grossed $3.6 million on New Year's Day.

It fell outside the top ten in its eighth weekend (which included Martin Luther King Jr. Day), dropping 33% and 4%, respectively, during the three-day[112] and four-day weekends.[113]

Outside North America

Internationally, the film earned $17.2 million in its first weekend from 12 markets, the bulk of which came from China. In its second weekend, the film expanded to a total of 30 markets, adding an additional $33.7 million.[114]

In China, the film had a November 25 opening day[115] with $1.9 million from 38,000 screenings. However, it enjoyed a big weekend bump on Saturday—even though its screens dipped—and Sunday.[116] In total, it scored an opening weekend of $12.3 million, the second best for a Disney animated title, behind only Zootopia. It was No. 2 behind Fantastic Beasts and Where to Find Them. Strong social media numbers showed among the highest the studio has seen there, similar to how Zootopia started off slow and later became a blockbuster phenomenon.[117] The film slipped 55% in its second weekend, earning $5.8 million, and $21.8 in total in China.[118] It would eventually earn a total of $32.7 million in China.[115]

It had similar successful number-one debuts in France, Russia, Mexico and Spain. The film also saw success in Belgium, the Netherlands and French-speaking Switzerland.[114] In the United Kingdom and Ireland, the film faced competition from Fantastic Beasts—which was playing in its third weekend—and as a result, it posted a low opening of only £2.2 million ($2.8 million).[119]

The biggest earning markets to date have been Japan ($45.9 million), followed by France ($35.5 million), China ($32.8 million), the UK ($25.3 million), Brazil ($22.9 million), Australia ($19 million), Germany ($17 million), Italy ($15.9 million), and South Korea ($15.5 million).[120]

Critical response

On review aggregator website Rotten TomatoesMoana holds an approval rating of 95% based on 287 reviews and an average rating of 7.9/10. The website's critical consensus reads "With a title character as three-dimensional as its lush animation and a story that adds fresh depth to Disney's time-tested formula, Moana is truly a family-friendly adventure for the ages."[121] Subsequently, the film is also listed as number 18 on the website's "100 Best Computer-Animated Movies" list.[122] On Metacritic, the film holds a weighted average score of 81 out of 100, based on 44 critics, indicating "universal acclaim".[123] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale,[124] while PostTrak reported filmgoers gave an 89% overall positive score and a 79% "definite recommend".[96]

Joe Morgenstern of The Wall Street Journal proclaimed that "Moana is beautiful in more ways than I can tell, thanks to the brilliance of more animators than I could count."[125] Animator Eric Goldberg received praise from critics and audiences for his hand-drawn animation of Maui's tattoos, which they claimed "stole the show" from the actual CGI-animated motion picture.[126][127][128] Wai Chee Dimock, writing in the Los Angeles Review of Books, compared the ocean in Moana to the one in "The Water Baby", a short story by Jack London, saying that both are animated: one, by the tension between digital and analog animation, and the other, by the tension between an encroaching future and a past in retreat still capable of pushing back.[129]

Christy Lemire of RogerEbert.com gave the film three-and-a-half out of four stars, stating "...its dazzling visuals, catchy tunes, enjoyable performances, clever running gags and overall sense of fun. It's all there, and—except for a few scary moments—it'll delight viewers of all ages."[130] Peter Debruge of Variety praised the film, calling it "a return to the heights of the Disney Renaissance".[131]

Critics also lauded Moana for centering on a strong female protagonist whose narrative is not confined to finding a Prince Charming, a contrast to princess characters of past Disney films.[132] Brent Lang of Variety wrote, "Whereas earlier Disney heroines waited around for their prince to come and save the day, Moana takes it upon herself to embark on a perilous oceanic voyage in order to lift her island home from a curse. It's the kind of adventuring that would have been left for the guys in Disney films of yore... Her journey is about finding herself, not landing a husband".[133]

Accolades

Other media

Due to the success of the film, Moana was officially added to the Disney Princess franchise and was the 12th addition to the lineup.[134] According to the official list of the most-watched streaming titles of 2021 released on January 21, 2022, by Deadline and NielsenMoana ranked as the second most streamed film of 2021 with a view-time of 8.9 billion minutes, just behind Luca (2021), which had been watched for 10.5 billion minutes.[135]

Theme park attraction

On October 16, 2023, Walt Disney World Resort announced that a new water walk-through attraction, Journey of Water Pavilion was opened in World Nature section of the park at EPCOT, as part of The Walt Disney Company's 100th anniversary celebration, since the opening date was indefinitely delayed due to the COVID-19 pandemic.

Expanded franchise

Sequel

A sequel, Moana 2, was written and directed by Dave G. Derrick Jr, and released in theaters on November 27, 2024.[136][137][138] A 16-second first look at the film was released in February 2024.[139] The project was originally announced in December 2020 as a television series for Disney+ before being redeveloped into a feature film.[140][141]

Live-action adaptation

In April 2023, The Hollywood Reporter reported that Walt Disney Pictures was developing a live-action adaptation of Moana to be produced by Johnson, Dany Garcia, and Hiram Garcia, under their production company Seven Bucks Productions, and Beau Flynn of Flynn Pictures Co., executive produced by Auliʻi Cravalho and Scott Sheldon, and written by Jared Bush, with Johnson set to reprise his role as Maui.[142] Johnson remarked "This story is my culture, and this story is emblematic of our people's grace and warrior strength. I wear this culture proudly on my skin and in my soul, and this once-in-a-lifetime opportunity to reunite with Maui, inspired by the mana and spirit of my late grandfather, High Chief Peter Maivia, is one that runs very deep for me. ... [T]here is no better world for us to honor the story of our people, our passion and our purpose than through the realm of music and dance, which is at the core of who we are as Polynesian people." Sean Bailey, Disney Live Action's president of production, acknowledged that, although only seven years had passed since the animated film was released, the celebration of Disney's 100th anniversary contributed to the decision to remake the film so soon.[143]

Thomas Kail is set to direct the film,[144] while Cravalho would not reprise her role as Moana.[145] The film was originally scheduled for theatrical release on June 27, 2025, in the United States,[146] but was delayed to July 10, 2026, due to the release of Moana 2.[147][148]

On June 12, 2024, it was announced that newcomer Catherine Laga‘aia was cast as the titular character.[149] Additional casting includes John Tui as Chief Tui, Frankie Adams as Sina, and Rena Owen as Gramma Tala.[150]

See also

Notes

  1. ^ Distributed by Walt Disney Studios Motion Pictures through the Walt Disney Pictures banner.
  2. ^ also known as Vaiana[4] or Oceania[5] in some markets

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==
モアナと伝説の海


모아나와 전설의 바다

세미 보호 페이지
출처 : 무료 백과 사전 "Wikipedia (Wikipedia)"
모아나와 전설의 바다
Moana
감독론 클레멘츠 존 마스
각본자레드 부시
제작오스너트 슈러
제작 총 지휘존 라세타
출연자아울리 클라바요도
웨인 존슨
음악오페타이어 포아이마크 만시날린 마누엘 미란다

편집제프 드라헤임
제작회사월트 디즈니 애니메이션 스튜디오
제작회사월트 디즈니 픽처스
배급월트 디즈니 스튜디오 모션 픽처스
공개미국 국기 2016년 11월 23일
프랑스 국기 2016년 11월 30일
러시아 국기 2016년 12월 1일 2017년 1월 12일 2017년 3월 10일
대한민국의 국기
일본의 국기
상영시간107분
제작국미국 국기 미국
언어영어
흥행 소득세계의 국기$690,845,539
미국 국기$248,757,044
일본의 국기51억 6000만엔 [ 1 ]
전작주토피아
다음 작품모아나 시리즈
모아나와 전설의 바다 2
디즈니 장편 애니메이션 설탕
러시 : 온라인
템플릿 보기

모아나와 전설의 바다 '(모아나와 덴세츠 노우미, 원제: Moana )는 2016 년 미국 에서 공개된 3D 컴퓨터 애니메이션 에 의한 스펙터클 어드벤처 영화. 월트 디즈니 애니메이션 스튜디오가 제작하는 56번째 영화이다. 일본에서는 2017년 3월 10일 에 공개됐다. 월트 디즈니 애니메이션 스튜디오의 장편 영화가 일본에서 3월에 공개된 것은 2014년 공개된 ' 아나운서와 눈의 여왕 ' 이후 3년 만이다.

극장 공개시의 동시 상영은 「이너 워킹」. 캐치 카피 는 「바다로 선택된 16세의 소녀――그녀의 이름은, 모아나.」.

2026년에 디즈니에 의해 실사 영화가 공개 예정 [ 2 ] .

줄거리

모투누이 섬의 전승 중 하나에 이런 것이 있었다.

때는 1000년 전. 여신 태피티 의 '마음'에는 생명을 창출하는 힘이 있어 바다밖에 없었던 이 세계에 섬, 식물, 동물을 탄생시켰다. 동시에 그 마음은 모든 악당의 표적이 된다. 어느 때, 변신자재의 반신 마우이 는 섬으로 진좌하는 태피티로부터 마음을 훔치지만, 도망가는 도중처럼 '마음'을 추구하는 용암의 거대한 악마 태카 의 습격을 받고, 마우이는 태피티의 마음을 바다의 깊은 곳으로 떨어뜨린다. 태피티의 마음이 사라진 것으로 세계는 어둠에 싸이기 시작한다. 하지만 세상이 어둠에 가려지기 전에 바다에 선정된 자가 나타나고 산호초를 넘어 태피티의 곁으로 마음을 돌려보러 간다.

이 이야기를 할머니 타라에게서 듣고 자란 모트누이의 촌장(무라오사)의 딸 모아 나는 어릴 적부터 산호초 너머의 바다에 관심을 갖고 있었다. 그러나 마을에는 '산호초를 넘지 말아야 한다'는 갓이 있었고, 아버지의 뚜이 도 갓을 지키고 딸에게도 같은 것을 요구했다. 어린 모아나는 모래사장에서 의지가 있는 것처럼 행동하는 파도와 녹색의 돌을 보지만 성장함에 따라 그 일은 잊고 점차 미래의 촌장으로서의 자각도 커진다. 그래도 바다에 대한 호기심은 억제되지 않았다.

어느 때 섬의 근해에서 물고기가 사라져 작물도 확 수 없게 된다. 모아나는 산호초를 넘어 물고기를 잡으러 갈 것을 제안하지만, 투이에게 맹반대된다. 모아나는 고민하면서도 어부의 배에서 산호초를 넘으려고 하지만 파도에 삼켜져 버려 생명 매운 섬으로 돌아온다. 그 모습을 본 할머니 타라 는 모아나를 닫힌 동굴로 데려간다. 거기에는 어업에 사용하는 더 큰 배가 몇 개나 놓여져 있으며, 모아나는 조상이 바다를 건너 섬을 차례차례 개척해 온 것을 알 수 있다. 타라는 어린 모아나 앞에 나타난 파도와 녹색 돌을 보고 있으며, 모아나야말로 '바다로 선정된 자'라고 말했다. 그 직후 타라는 병에 쓰러진다. 죽을 때, 모아나에게 녹색 돌을 건네주고, 그것이 태피티의 마음이라고 밝힌다. 그리고 산호초를 넘어, 마우이를 찾아내, 그와 함께 태피티에게 마음을 돌려가도록(듯이) 전한다. 결심한 모아나는 타라가 말하는 대로, 갯벌을 꺾고 동굴의 배로 산호초 너머의 바다로 밀어내는 것도, 처음의 항해에서는 아라시 앞에 갈 수 있는 방법도 없고, 무인도에 표착한다.

그 섬에는 마음을 훔친 이래로 유폐되어 있던 마우이가 있었지만 그는 자신의 행위에 대해 "감사해야 한다"고 말하며 함께 태피티에게 가겠다는 모아나의 부탁을 듣려고 하지 않는다. 마우이는 유폐될 때까지 인간을 위해 섬을 끌어올리거나, 낮을 늘리거나, 불을 인간에게 주는 등 많은 일을 해왔고, 그러한 그의 위업과 과거는 문신 으로서 그의 몸에 나타나고 있다고 말한다. 다시 사람들의 영웅이 되기 위해 마우이는 모아나를 동굴에 갇혀 모아나의 배로 섬을 나오려고 하지만 동굴에서 탈출한 모아나와 '바다'의 설득에 의해 함께 항해를 시작한다. 다만, 태피티의 곁으로 가는 것은 마우이가 마우이 되는 곳이―― 태카에서 도망칠 때에 태피티의 마음과 함께 없앤, 모습을 자유자재로 바꾸는 능력을 가진 무기 「신의 낚시바늘」을, 거대한 게의 타마토아 로부터 되찾은 후에, 라고 하는 조건을 붙여.

두 사람이 타마토아의 곁으로 향하는 도중, 태피티의 마음을 노리는 코코넛 의 해적 카카 모라의 일단이 습격해 오지만, 마우이의 돛과 모아나의 기전에 의해 이것을 격퇴. 두 사람은 타마토아의 곁에 도착했고, 마우이는 낚시바늘을 되찾아도 잘 변신할 수 없다. 타마토아에 잡혀 버린 마우이를 모아나는 빛나는 이끼를 바른 돌을 미끼로 돕는다. 그대로 간헐천을 이용해 도망쳐 두 사람은 하나님의 낚시바늘을 되찾는 데 성공한다.

변신할 수 없는 것으로 자신감을 없애고 있는 마우이에게 모아나는 왜 자신을 믿을 수 없는지 물어본다. 그러자 그가 가진 '바다에 버려지는 아기'의 문신에 대해 이야기하기 시작한다――자신은 태어난 직후에 버려진 아이이며, 하나님께 낚시바늘을 주신 후 반신 마우이로서 인간을 계속 도와 온 것은, 감사받는 것으로 자신에게도 가치가 있다고 믿고 싶었기 때문이라고. '마음'을 훔친 것도 그와 달리 생명의 한정된 인간들을 위해서였다고. 그리고 낚시 바늘을 다룰 수 없게 되어 버리면 자신에게는 가치는 없을까. 그러나 모아나는 그가 바다에 하나님으로 선출된 이유가 있어야 하고, 그가 영웅이라고 부른 것은 그 자신의 용기와 자기 희생 때문이라며 마우이를 격려한다. 그 후, 모아나에게 감사하고, 그녀를 신용한 마우이는 그녀에게 항해술을 가르치게 되고, 또 마우이는 변신의 특훈을 시작한다.

태피티의 섬이 가까워졌을 때 두 사람 앞에 태카가 서 있다. 한 번은 이에 도전한 두 사람이지만, 모아나의 작전 실패로 태카의 공격을 받아 낚시바늘에 금이 들어간다. 이것에 마우이는 자신의 힘, 나아가 인간으로부터의 감사를 영원히 잃는 것을 두려워 떠난다.

자신감을 잃은 모아나는 바다에 태피티의 마음을 가라앉히고 모트누이로 돌아가려고 한다. 그러자 모아나 앞에 에이 로 다시 태어난 대구가 나타나 모아나에게 자신을 다시 보도록 권유한다. 자신의 바다에 대한 애정은 바다로 선정되었기 때문에 태어난 것이 아니라 바다를 건너고 있던 조상으로부터 계승되어 온 자신의 것이라는 것에 모아나는 알아차린다. 모아나는 다시 태피티의 마음을 돌려주기로 결심하고 다시 바다를 넘어 단신 태카에 맞서고 바다에 들어가지 않는다는 약점을 붙여 가르친 항해술로 가로막는 태카를 거슬러 올라간다. 내면의 목소리에 따라 모아나에게 마우이도 돌아와 낚시 바늘을 희생하면서도 태카의 추격에서 모아나를 돕는다. 마침내 모아나는 태피티의 섬에 이르기도 그 섬은 환초 처럼 되어 있어 태피티가 진좌해야 할 곳에는 바다가 펼쳐질 뿐. 모아나는 태카야말로 마음을 잃어버린 태피티의 분노 맹렬한 모습이라고 깨달으면 그녀에게 자신을 바라보도록 설교하고 태카의 가슴에 '마음'을 끼워넣는다.

마음을 되찾은 태카는 태피티의 모습으로 돌아와 세계에는 초록과 평화가 돌아온다. 마우이는 태피티에게 "마음"을 훔친 것을 사과하고 새로운 낚시 바늘을 준다. 마우이의 몸에는 새롭게 '바다로 선정된 소녀'의 문신이 나타난다.

모아나는 마우이에 뛰어난 항해사가 필요하다고 말해 마을에 오지 않을까 듣지만, 마우이는 이미 모아나가 있기 때문에 필요 없다고 거절한다. 모아나는 혼자 사는 길을 선택한 마우이와 헤어지고 모투누이로 돌아온다. 가족이나 마을 사람과의 재회를 완수한 모아나는 촌장이 되는 것이 아니라 가르친 항해술로 조상들이 해온 것처럼 바다를 건너 섬을 개척해 나가기로 결심한 것이었다.

엔드롤 후, 타마토아가 간헐천에 의해 뒤집힌 채로 움직임이 잡히지 않는 곳에서 영화는 막을 닫는다.

등장 캐릭터

주요 인물

모아나 와이아리키(Moana Waialiki)
이 이야기의 주인공인 16세 소녀. 모투누이의 촌장의 한 딸로 아버지의 흔적을 이어갈 것으로 기대되고 있다. 도난당한 태피티의 '마음'을 돌려주는 자로서 바다로 뽑혀 당황하면서도 사랑하는 마을을 구하기 위해 항해에 나선다. 그 도중 태피티의 마음을 훔친 장 본인인 바람과 바다를 맡는 신 마우이와 만나 함께 항해를 하게 된다. 1인칭은 「나」. 할아버지는 없다.
섬 성장의 높은 바이탈리티를 가지지만, 갓에 의해 바다에 나온 적이 없었기 때문에 항해에 나온 당초의 항해술은 아마추어 동연. 마우이와의 여행을 통해 기술적, 정신적으로 성장한다.
마우이(Maui)
바람과 바다를 관장하는 반신반인 으로 근골 융기의 육체를 가진다. 아마도 불로 [ 3 ] . 하나님께 주어진 “신의 낚시 바늘”을 사용하여 어떤 생물에도 모습을 바꿀 수 있는 변신의 달인. 1인칭은 「나」. 멋진 항해사이기도 하지만, 수영은 불의의로, 낚시 바늘로 매나 수거 생물로 변신하거나 배를 타거나 하지 않으면 바다를 넘어 여행할 수 없다. 태피티의 마음을 훔친 것이 계기로 낚시바늘을 잃어 무인도에 천년간 유폐되고 있지만, 한때는 영웅이라고 불린 존재이며, 몸에 새겨진 문신은 그의 위업과 과거를 나타낸다. 사람에게 감사받는 것을 사랑하고, 또한 감사받고 있는 것을 의심하지 않는 자신가이지만, 실은 태어나서 곧 부모에게 버려진 슬픈 과거가 있어, 수많은 위업도 사람들로부터의 사랑을 찾아서 보답을 계속해 온 결과였다. 섬에 표착한 모아나와 만나 함께 항해를 하게 된다. 처음에는 모아나와 협력할 생각은 얇고, 그녀의 배가 목적으로 동행하고 있었던 것에 지나지 않았지만, 도중에 모아나에게 돕거나 격려받는 동안 마음을 열고 신뢰를 깊게 해 나갔다.
미니 마우이(mini Maui)
마우이의 몸에 나타난 문신의 하나로, 인격을 가진 마우이의 분신이며, 그의 “본심”. 마우이의 몸을 자유롭게 움직이고, 목소리는 나오지 않지만, 몸짓으로 의지를 전할 수 있다. 마우이가 거만한 태도를 취하거나 도리에 반한 일을 하게 되면 정지에 들어가는 등 마우이의 “양심”의 역할을 한다 [ 4 ] .

모투누이 마을 사람들

투이 와이아리키(Tui Waialiki)
모아나의 아버지이자 모투누이의 촌장. 딸과 같이 바다를 사랑하는 마음을 품고 ​​있지만, 산호초를 넘어서 파도에 삼켜져 친구를 잃은 괴로운 과거가 있기 때문에, "산호초를 넘어서는 안 된다"는 갓을 열심히 지키고 있다. 바다에 나가고 싶다는 모아나를 엄격히 꾸짖지만, 딸인 모아나를 누구보다 걱정하는 것이다. 최종적으로는 산호초를 넘은 모아나로부터 사과받고 조용히 받아들였다.
시나 와이아리키(Sina Waialiki)
모아나의 어머니. 애정과 배려로 넘치는 심심이 강한 여성. 딸의 모아나를 걱정하면서 항해에 나가고 싶은 모아나의 기분을 존중하고 살짝 내보낸다.
타라(Tala)
모아나의 할머니, 트위의 어머니. 이상한 언동이 많은 변신자이지만, 모아나의 좋은 상담 상대. 섬의 전설에 자세해, 그것을 아이들에게 전하고 있지만, 어느 날 병에 쓰러져, 바다로 선택된 모아나에게 항해에 나오도록(듯이) 전해, 모아나가 항해에 나온 후에 사망한다. 등에는 에이의 문신이 새겨져 있으며, 죽은 후에는 에이로 다시 태어난다.
헤이헤이(Heihei)
모아나가 귀여운 닭 . 지능지수는 제로와 같고 [ 5 ] , 앞으로밖에 진행하지 않고, 눈앞에 있는 것은 무엇이든 먹이와 착각해 삼켜버리는 곤란한 버릇이 있다. 모아나가 모르는 사이에 배를 타고 있었기 때문에 함께 항해를 하게 된다.
푸아 (Pua)
모아나가 기르는 돼지 . 모아나와 함께 항해에 나가려고 하는 것도 파도에 삼켜져 버려, 생생하게 모트누이로 도망친다. 이후 바다를 두려워하게 되어 항해에 나선 모아나의 돌아가기를 기다린다.

태피티/테카(Te Fiti/Te Ka)
바다밖에 없었던 이 세계에 섬, 식물, 동물을 탄생시킨 생명의 여신. 녹색 식물로 덮인 거대한 섬으로서 평소에는 자리잡고 있어 여신으로 모습을 바꿀 수 있다. 마우이에 의해 「마음」을 빼앗겨 용암의 악마 태카가 되어, 나를 잊고 세계에 어둠을 펼쳐 간다.
카카모라(Kakamora)
모아나와 마우이가 항해 도중에 만나는 코코넛 해적 집단. 본작의 디즈니 빌런즈 중 하나. 바다의 표류물로 덮인 배로 살며 보물 찾기에 새벽다. 밧줄을 묶은 작살과 가려워 독이 칠해진 불꽃을 무기로 하여 모아나가 가진 태피티의 마음을 노린다.
타마토아 (Tamatoa)
해저에 있는 마물의 나라 「라로타이」에서 사는 몸길이 15.2m의 거대한 야자수 . 본작의 디즈니 빌런즈 중 하나. 빛나는 것과 특이한 것으로 자신을 장식하고, 그것을 자랑한 후에 먹이를 먹는 것이 취미로, 한때 마우이가 없어진 낚시 바늘을 가진다. 또한 이전 마우이에게 다리 한 개를 빼앗기고 있어 그와는 사이가 나쁘다.

목소리 출연

캐릭터영어판 성우일본어판 성우
모아나 와이아리키아우리이 크라바요 [ 6 ]야비 히사치나 [ 7 ] (16세)
마사가키 나나 꽃 (8세)
아기 모아나루이스 부시다케노야 사키
마우이드웨인 존슨오가미 마츠야 [ 8 ]
투이 와이아리키템엘라 모리슨 , 노래: 크리스토퍼 잭슨야스자키 구
시나 와이아리키니콜 셔징거나카무라 치에
타라레이첼 하우스나츠키 말리 [ 8 ]
타마토아제마인 클레멘트롤리
헤이헤이앨런 튜딕 [ 9 ]-
어부오스카 카이트리카토 타쿠지
마을 사람트로이 폴라 마르푸 아나니 크라
바요
앨런 투딕
천달 타케시
미야
야마 치이 타타 야요헤이
문신 마을 사람들쓰지오카 요시도
우는 아이우메자키 오토바
무서운 아이에비하라 고온
어둠을 두려워하는 아이사와다 리오
외치는 아이가마타 히데나
뱉을 것 같은 아이산﨑쇼타
해변의 마을 사람가와모토 카츠히코 고토
아츠시
고대 남자
카우치 히로아키
마을 사람오치아이 유스케
토론하는 마을 사람들네모토 야스히코 카토
우즈
마을 전사미야모토 켄이치

제작

프린세스 와 마법 의 키스』 제작 후, 론 클레멘츠 와 존 마스커 는 테리 프라첸의 소설 『디스크 월드』시리즈의 제4작 『사신의 관 영어판 )』의 번안에 임하기 시작했다 [ 10 ] , 그러나 권리 관계에 문제가 생겨 계획의 진행 은 정지하게 되었다 . 비슷한 문제를 피하기 위해 3개의 새로운 안을 팔아 2011년부터 독자적인 구상에 의한 영화의 제작이 개시되었다 [ 11 ] . 2012년, 두 사람은 피지 , 사모아 , 타히티 에 대한 취재 여행에 가서 남태평양 사람들을 만나 그 문화를 배웠다 [ 12 ] .

모아나는 두 사람에게 컴퓨터 애니메이션을 주축으로 한 첫 영화이다 [ 12 [ 13 ] . 컴퓨터 애니메이션을 사용하는 이유 중 하나는 해양을 포함한 환경의 표현이 기존의 2D 영화 기술을 사용하는 것보다 더 효과적이라는 점입니다 [ 14 ] . 또한 남태평양의 인종 조각의 깊은 얼굴을 표현하는데도 유용했다 [ 15 ] .

반신 마우이의 문신은 셀 애니메이션 기술로 표현된다 [ 16 ] .

대본은 자레드 부시 영어판 ) 에 의해 쓰여졌다 [ 17 ] . 에릭 골드버그 영어판 ) 가 동영상을 제작했다 [ 18 [ 19 ] . 음악은 오페타이어 포아이 (폴리네시안 뮤직 그룹 테 바카 영어판 ) 의 멤버), 마크 맨 시나 , 린=마뉴엘 미란다 가 작곡했다 [ 20 ] .

당초 피프스 하모니 의 멤버인 다이나 제인이 모아나 역으로 유망시되고 있었다 [ 21 ] . 그러나, 수백명의 후보를 오디션에서 전형한 후 [ 12 ] , 14세의 아우리이·클라바요( 2000년 11월 22 일생)가 기용되는 것이 공표되었다(덧붙여 그녀는 하와이의 원주민의 피도 끌고 있다) [ 6 [ 22 ] .

2014년 10월 20일, 디즈니는 공개일을 2016년 말로 발표하고 [ 23 ] , 3월에 공개일이 공표된 8개의 영화 프로젝트의 내용으로부터, 공개일은 11월 23일이 될 것이라고 시사되었다 [ 24 ] . 11월 10일에는 공개일이 11월 23일로 정식으로 발표되었다 [ 25 ] .

유럽의 일부 국가에서는 "모아나"가 이미 상표로 사용되었으며 스페인에서는 바이아나 (Vaiana)로 변경되었습니다 [ 26 ] . 또한 이탈리아에서는 오세아니아(Oceania)로 변경되어 모아나 대신 주역의 이름은 바이아나(Vaiana)가 되었다 [ 27 ] .

일본어 제목의 '모아나와 전설의 바다'는 2016년 7월 13일에 발표되고 동시에 2017년 3월 10일에 상영 개시될 것도 발표되었다 [ 28 ] . 또, 주연으로서 신인의 야히 쿠치 나가 기용되게 되었다.

흥행 성적

북미

2016년 11월 23일에 3875관에서 개봉되어 그 80%가 3D에서의 상영이 되었다. 공개 첫날 흥행수입은 ' 아나운서와 눈의 여왕 '과 ' 탑 위의 라푼젤'을 넘는 1568만 달러를 기록했고, 5일째 시점의 성적은 ' 주토피아 '를 넘는 결과가 됐다. 영화 랭킹에서는 공개 이후 3주 연속 선두(11월 25일~27일, 12월 2일~4일, 12월 9일~11일)로 화제를 불렀다. 4주차 이후에도 ' 로그 원/스타워즈 스토리' 와 ' SING/싱 ' 등 화제작이 속속 개봉되는 가운데 2위(12월 16~18일), 6위(12월 23일~25일), 4위(12월 31일~1월 1일), 8위(1월 6~8일). 최종적으로 흥행 수입 2억 4821만 8355달러를 기록해 2016년에 공개된 애니메이션 영화 중 5번째 히트가 되었다(실사를 포함하면 11번째).

일본

일본에서는 한발 늦어 2017년 3월 10일부터 공개되며, 3월 11일~12일의 토일 2일간 전국 영화 동원 랭킹에서는, 첫 등장 1위를 획득해, 동원 46만6480명, 흥행 수입 5억8948만5600엔을 기록했다 [ 29 ] . 이 기록은 전년 대히트한 '주트피어'의 오프닝 성적을 웃도는 결과가 됐다. 2주차(3월 18일~19일)는 첫 등장의 'SING/싱'에 선두를 빼앗겨 2위에 랭크다운했지만, 그 후도 5주차(4월 8일~9일)까지는 2위를 계속 유지하고 최종적으로는 8주차(4월 29일~30일)로 9위를 기록할 때까지 톱 10에는 8주간 최종 흥행 수입은 51.6억엔으로, 랭킹 상위를 본작보다 장기간 유지하고 있던 「SING/싱」을 약간 차이로 웃돌았다 [ 30 ] .

'아나운서와 눈의 여왕' 이후 디즈니의 애니메이션 영화 일본에서의 3D 상영은 2D판에 비해 소규모로 되어 있었지만, 본작에서는 4월 8일부터 20일까지 기간 한정으로 상영된 4DX ·MX4D판을 포함해 모두 2D만의 공개가 되었다. 실사를 포함한 디즈니 작품 전체에서도, 「BFG: 빅 프렌들리 자이언트」나 「피트와 비밀의 친구」와 같이, 해외에서는 3D에서도 공개된 작품이 일본에서는 2D 상영만이 되어, Blu-ray 3D도 미발매(영상 소프트도 MovieNEX가 아니고, 통상의 Blu-ray 세트 상품으로서 Blu-ray 3D가 발매되었다.

트리비아

  • 모트누이의 섬에 '아나운서와 눈의 여왕'에 등장하는 마시멜로우와 유사한 생물이 그려진 타파가 등장한다.
  • 아기 모아나가 태피티의 마음을 찾는 장면에서 바다 거품이 미키 마우스 의 형태를 하고 있다.
  • 모투누이 섬에서 등장하는 타파에 그려진 두 사람은 본작에서 감독을 맡은 론 클레멘츠와 존 마스커와 유사하다.
  • 모아나가 항해에 나오기 위해 짐을 정리하는 장면에서 인삼과 2개의 나뭇가지가 등장한다. 이것은 ' 아나운서와 눈의 여왕 '에 등장하는 눈사람의 올라프를 연상시킨다.
  • 마우이가 '내 덕분'을 부르는 장면에서 '리틀 머메이드 '에 등장하는 생선 플랜더가 등장한다.
  • 카카모라 안에 『베이맥스』에 등장하는 베이맥스 디자인의 카카모라가 한순간만 등장한다.
  • 타마토아가 사는 마물의 나라 라로타이에서 모아나에 습격하는 보라색의 면을 쓴 마물은, 「주 토피아」에 등장하는 나무늘보 의 플래시이다.
  • 타마토아의 등에 ' 알라딘 '의 마법의 램프가 타고 있다.
  • 타마토아의 장면에서 마우이가 순식간에 변신하는 순록 은 '아나운서와 눈의 여왕'에 등장하는 스벤이다.
  • 엔드롤로 『슈가 러쉬』의 주인공 랄프가 그려진 타파가 등장한다.
  • 본작에는 2002년의 뉴질랜드 영화 ' 고래의 섬의 소녀 '로부터의 영향이 지적되고 있어 동작에는 타라 역의 레이첼 하우스 도 출연하고 있다 [ 31 [ 32 [ 33 ] . 또 '고래의 섬의 소녀'의 감독을 맡은 니키 카로 는 2020년 디즈니 작품 ' 물랑 '을 감독하고 있다 [ 34 ] .

사운드 트랙

모아나와 전설의 바다 오리지널 사운드트랙 <일본어판>』 외에 가사가 모두 영어인 『모아나와 전설 의 바다 오리지널 사운드트랙 <영어판>』이 존재한다. 트럭 41의 「How Far I'll Go(엔드 송)」는, <일본어판> 한정의 보너스 트럭이다.

모아나와 전설의 바다 오리지널 사운드트랙 <일본어판>
#제목아티스트
1타갈로아 신에게기도올리비아 포아이
2순진한 용사바이 마히나 , 수라타 포아이 아미아츠, 매튜 이네 리오
3해야 할 곳야스자키 구, 나츠키 마리, 나카무라 치에, 야비 쿠치나, 다케노 타니 사키, 마사가  나나 
4어디까지나~How Far I'll Go~야비 히사치나
5더 멀리타 카우치 히로아키
6어디까지나~How Far I'll Go~(리프라이즈)야비 히사치나
7내 덕분에오가미 마츠야
8샤이니롤리
9파티 드럼 댄스올리비아 포아이, 오페타이어 포 아이 , 타라가 스티브 세일
10모아나나츠키 마리, 야비 히사치나
11자신을 쳐다보고야비 히사치나
12더 멀리 (피날레)타카우치 히로아키
13어디까지나~How Far I'll Go~(엔드 송)카토 미리야
14내 덕분 (조던 피셔 / 린 - 마누엘 미란다 버전)조던 피셔 feat. 린-마뉴엘 미란다
15프롤로그마크 맨시나
16아빠도 너와 같은마크 맨시나
17마을의 변화자마크 맨시나
18동굴마크 맨시나
19바다로 선정된 자마크 맨시나
20하나님의 낚시 바늘마크 맨시나
21누워있는 대구마크 맨시나
22의지의 장벽마크 맨시나
23해적, 카카모라마크 맨시나
24바다를 건너는 사람마크 맨시나
25이와야마를 오르다마크 맨시나
26타마토아의 네구라마크 맨시나
27큰 탈출마크 맨시나
28만약 내가 바다라도마크 맨시나
29태카를 쓰러뜨리다마크 맨시나
30날아가는 마우이마크 맨시나
31어깨를 떨어뜨리는 모아나마크 맨시나
32타라와의 재회마크 맨시나
33태피티를 향해 출범마크 맨시나
34빛을 발하는 마음마크 맨시나
35부활한 태피티마크 맨시나
36여신의 손마크 맨시나
37항해하는 타가로아 신마크 맨시나
38다시 만나자.마크 맨시나
39섬으로가는 길 안내마크 맨시나
40다시 항해로마크 맨시나
41How Far I'll Go (엔드 송)알레시아 칼라

MovieNEX

2017년 6월 28일에 디지털 전달이 개시되어 7월 5일에 MovieNEX가 발매되었다 [ 35 ] .

  • "모아나와 전설의 바다 MovieNEX"
  • "모아나와 전설의 바다 MovieNEX 프리미엄 팬 BOX"
  • 「모아나와 전설의 바다 MovieNEX 플러스 3D」(온라인 예약 한정 상품)

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Moana Name Meaning, Origin, History, And Popularity
A feminine name associated with the ocean.

Numerology reviewed by Numerologist Amreesh, BSc, Certified Numerology Practitioner
Vedic Astrology reviewed by Dr. Shiilpa Bagrecha
Written by N Pravenchandra Singh, MA
Edited by Srija Chanda Burman, MA, PG Dip.
Fact-checked by Ratika Pai, M.Com
Last Updated on May 7, 2024
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