The Odyssey (2026 film) - Wikipedia
The Odyssey (2026 film)
| The Odyssey | |
|---|---|
Theatrical release poster | |
| Directed by | Christopher Nolan |
| Screenplay by | Christopher Nolan |
| Based on | Homer's Odyssey |
| Produced by |
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| Starring | |
| Cinematography | Hoyte van Hoytema |
| Edited by | Jennifer Lame |
| Music by | Ludwig Göransson |
Production companies | |
| Distributed by | Universal Pictures[1] |
Release dates |
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Running time | 173 minutes[2] |
| Countries |
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| Language | English |
| Budget | $250 million[3] |
| Box office | $1.726 billion[4][5] |
The Odyssey is a 2026 epic action fantasy film written and directed by Christopher Nolan, who produced it with his wife Emma Thomas. An adaptation of Homer's ancient Greek epic poem the Odyssey, it stars an ensemble cast including Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong'o, Samantha Morton, Zendaya, and Charlize Theron. In the film, Odysseus (Damon), the Greek king of Ithaca, undergoes a long and perilous journey home after the Trojan War and encounters mythical beings as he attempts to reunite with his wife Penelope (Hathaway).
Nolan began writing the script in March 2024 and secured the project with Universal Pictures by October. The Odyssey was announced in December. Casting took place from late 2024 through early 2025, and Damon was confirmed for the lead role in February 2025. Nolan studied several translations of the Odyssey before deciding upon a realistic interpretation of Greek mythology, drawing inspiration from the epic historical films Andrei Rublev (1966) and Ran (1985), as well as the films of special effects artist Ray Harryhausen. Filming took place on location from February to August 2025 in Morocco, Greece, Italy, Scotland, Iceland, Western Sahara, and Malta, as well as at the Universal Studios Lot in Los Angeles. With an estimated budget of $250 million, it is among the most expensive films of Nolan's career, and the first feature film to be shot entirely on IMAX's 70 mm film cameras.
The Odyssey premiered at the Odeon Luxe Leicester Square in London on July 6, 2026, ahead of a theatrical release by Universal Pictures on July 17 in the United States and the United Kingdom. It was made available in IMAX and multiple premium large formats. The film received acclaim for its direction, performances and set pieces though some criticized Nolan's deviations from the source material. It has grossed $1.726 billion worldwide, becoming Nolan's highest-grossing film, the second-highest-grossing film of 2026, the highest-grossing R-rated film ever, the highest-grossing film distributed by Universal, and the eleventh-highest grossing film of all time.
Plot
For twenty years, Ithaca has been kingless since Odysseus did not return from the Trojan War. Several suitors, including nobleman Antinous, aggressively court Odysseus's wife Penelope to claim the throne from Odysseus and Penelope's son Telemachus. Only Penelope, Telemachus, and Odysseus' half-blind servant Eumaeus still believe Odysseus will return. Penelope tells Telemachus she fears attacks by murderous "Sea Peoples" who violate Zeus's law, a social custom of hospitality towards guests. Telemachus travels with Odysseus's friend Mentor to Menelaus, King of Sparta, to ascertain his father's whereabouts. Antinous learns about this and conspires to kill Telemachus upon his return and plunder Ithaca. Menelaus and his wife Helen tell Telemachus about the war, but express uncertainty about Odysseus's fate.
Meanwhile, the goddess Athena appears to Odysseus on the island of Ogygia, where the nymph Calypso is infatuated with Odysseus. Athena commands Odysseus to return home; Calypso dislikes this, but encourages Odysseus to remember his past. Years earlier, the Greek army, led by Menelaus' brother Agamemnon, conquered Troy using Odysseus' stratagem, the Trojan Horse, hiding Greeks inside, with the soldier Sinon sacrificed as a decoy. While Menelaus and Agamemnon returned home, Odysseus and his crew, including second-in-command Eurylochus, searched an island for supplies. However, the cyclops Polyphemus traps them in a cave and devours several soldiers. They blind Polyphemus and escape, but hear him cry out to his father, the sea god Poseidon. Consequently, the crew suffers harsh sea conditions. They land on Telepylus where Laestrygonians (man-eating giants), kill most of them and sink two of their three ships. The survivors rebel, leaving Odysseus with their ship as they seek refuge on Aeaea with the witch Circe, who turns them into pigs. After Odysseus persuades her to change his men back, Circe advises that to reach Ithaca, Odysseus must cross the river Oceanus into the underworld.
There, Odysseus meets his fallen soldiers, including Sinon's shade, who reproaches him for deceiving him, and reveals that Antinous manipulated him into taking his place in the Greek army. Next, Agamemnon's shade reveals that his wife Clytemnestra murdered him upon his return as revenge for sacrificing their daughter Iphigenia to Artemis for fair seas. He advises that Odysseus adopt a disguise upon returning home. Finally, Odysseus alone speaks with the shade of the prophet Tiresias, who predicts that, by divine will, only Odysseus will return home. Chased from the underworld by Odysseus' fallen army, Odysseus follows Tiresias' guidance to survive encounters with the Sirens and sea monsters Charybdis and Scylla. On Thrinacia, Odysseus warns his men not to kill the cattle of Helios, as Tiresias foretold Odysseus' men would die if they did, but the starving men disobey. When they leave, Zeus sends a storm that sinks their ship, killing all but Odysseus. He washes ashore unconscious on Ogygia, where Calypso's lotus flowers render him amnesic.
After seven years, Odysseus regains his memories, builds a raft, and surrenders his fate to the storm. He washes ashore in Ithaca, where he disguises himself and bears the alias "Sinon". Eumaeus tells him that the suitors sent bandits to assassinate Telemachus and Mentor. The bandits kill Mentor, but Odysseus rescues Telemachus and kills the bandits. Odysseus's elderly dog Argos dies as he recognizes Odysseus, and Telemachus deduces Odysseus's identity. During a feast, Odysseus confronts Antinous about betraying Sinon. Antinous thrashes Odysseus before Telemachus intervenes. After the meal, Odysseus, still disguised, confesses to Penelope his guilt for violating Zeus's law during the sacking of Troy and initiating the Late Bronze Age collapse. He reveals that the "sea people" were the Greeks themselves, and begs Penelope's forgiveness. Penelope announces her readiness to remarry and instructs the suitors to return at dawn.
Penelope declares she will marry whomever can string Odysseus' bow and shoot an arrow through a row of axe heads. All the suitors fail, but Odysseus succeeds, thereby revealing his identity. The hall erupts in battle. Telemachus aids Odysseus in killing many of the challenging suitors, including Antinous. After the remaining suitors surrender, Odysseus cedes his throne to Telemachus and leaves with Penelope to seek peace in exile. Sailing west to honor Odysseus' fallen soldiers, the couple expect civilization's renewal and muse that time will forget Odysseus' mistakes.
Cast
- Matt Damon as Odysseus, the Greek king of Ithaca.[6] Director Christopher Nolan described Odysseus as complicated, "an amazing strategist, [and] a very wily person".[7]
- Tom Holland as Telemachus, Odysseus and Penelope's son and the prince of Ithaca, who is determined to find his father.[8][9]
- Anne Hathaway as Penelope, wife of Odysseus, mother of Telemachus, and the queen of Ithaca, who fends off many suitors in her husband's absence.[10]
- Robert Pattinson as Antinous, a suitor of Penelope,[10] whom Pattinson described as sleazy and likened to James Woods's character Lester Diamond from the 1995 film Casino.[11]
- Lupita Nyong'o in a dual role as:
- Helen of Troy, wife of Menelaus, described as the most beautiful woman in the world, whose abduction triggers the Trojan War.[12]
- Clytemnestra, Helen's twin half-sister, wife of Agamemnon, who murders him upon his return from Troy.[12]
- Samantha Morton as Circe, a witch and goddess on the island of Aeaea.[12]
- John Leguizamo as Eumaeus, a blind swineherd, Odysseus's faithful slave.[9][13]
- Zendaya as Athena, the goddess of wisdom, warfare, and handicraft, who protects Odysseus on his journey.[9][12] She also portrays the young Trojan priestess of Athena who is killed during the sack of Troy and whose form Athena later takes.
- Charlize Theron as Calypso, a nymph on the island of Ogygia who tries to entice Odysseus to live as her husband with the promise of immortality.[12][14]
- Jon Bernthal as Menelaus, the king of Sparta and Helen's husband.[9]
- Himesh Patel as Eurylochus, Odysseus's second-in-command who challenges his thoughts and plans.[15][10]
- Bill Irwin as the on-set performer of Polyphemus, a Cyclops and son of Poseidon.[16][12]
- Elliot Page as Sinon, a Greek soldier and the son of a slave of Antinous, who was recruited as a child to be raised to serve as a soldier who would reach adulthood upon the Greeks' arrival at Troy.[15] Sinon is not in Homer's original poem and his story was borrowed from Virgil's Aeneid and other myths.[17]
- Benny Safdie as Agamemnon, the Greek king of Mycenae, Clytemnestra's husband, Menelaus's older brother, and the commander of the Greeks during the Trojan War.[18][12]
Other suitors of Penelope include Corey Hawkins as Polybus,[15] Niko Nicotera as Peisander, Elyes Gabel as Elatus,[19] Iddo Goldberg as Amphimedon,[20] and Jamie Harris as Agelus. Mia Goth and Logan Marshall-Green portray twin siblings Melantho and Melanthius, who are respectively a disloyal maidservant of Odysseus and Penelope and Odysseus's dishonest cowherd.[7][21][15] Ryan Hurst portrays Mentor, Telemachus's guide and teacher,[22] while James Remar plays Tiresias, a blind prophet of the Greek underworld.[15] Other members of Odysseus's crew include Will Yun Lee as Anchialus,[9] Jimmy Gonzales as Cepheus,[10] Andrew Howard as Polites,[23] Jovan Adepo as Elpenor, Jesse Garcia as Menetus, Josh Stewart as Antiphates,[24] Sean Avery as Laodamas,[25] Anthony Molinari as Perimedes,[24] Stephen Murphy as Phemius, and Ian Casselberry as Dolios.[26]
Travis Scott makes a cameo appearance as a bard, whom Nolan included because he wanted to allude to how the Odyssey had been retold through oral poetry, which he analogized to rapping, Scott's profession.[12] Rafi Gavron and Shiloh Fernandez briefly appear as Trojans who kill Sinon and encounter the Trojan Horse.[27] Others in minor roles include Kate Fuglei as Eurycleia, a loyal slave and nurse of Odysseus and Penelope;[23] Maurice Compte as the steward of Menelaus;[28] Nick E. Tarabay as the unnamed helmsman of Telemachus' ship;[10] Brian Vernel as Irus, a bandit employed by Antinous to kill Telemachus; and Michael Vlamis as a fellow bandit assisting Irus.
Production
Development and writing

By November 2023, director Christopher Nolan had yet to decide what his next film would be after Oppenheimer (2023). While he was receptive to various ideas, he felt he needed to "own it completely".[29] After winning several Academy Awards for Oppenheimer in March 2024, including Best Picture and Best Director,[30][31] Nolan and Emma Thomas, his wife and producing partner, felt the success provided them the opportunity to explore what Nolan's next film would be.[12][29] Nolan began writing the script shortly after.[30][31][29] Nolan was revealed in October to be developing his next film at Universal Pictures, after working with that studio on Oppenheimer. He was confirmed to be writing the script and producing once again with Thomas through their production company, Syncopy, and filming was scheduled to begin in early 2025. Unlike Oppenheimer, which Universal acquired at auction, The Odyssey was set up at the studio and given a release date of July 17, 2026.[32][33]
The logline and additional details of its premise were kept largely secret compared to Nolan's previous films, which prompted much speculation about its subject matter.[34][35] This included rumors that it would either be a vampire period piece, a reboot of the 1983 helicopter action-thriller film Blue Thunder,[36][34][35] or an adaptation of the British spy television series The Prisoner (1967–1968), which Nolan was previously attached to in 2009,[30][32] but all of these were debunked.[34][35][32] Nolan later reflected the "disadvantage of never telling people what we're doing" was the invention and circulation of rumors, though he nonetheless enjoyed them.[36] In December 2024, Universal announced Nolan's new film as The Odyssey, an adaptation of Homer's ancient Greek epic poem, the Odyssey. The studio described it as a "mythic action epic" that would be filmed worldwide.[37][38] Nolan was previously attached to direct Troy (2004)—based on Homer's Odyssey predecessor the Iliad—that Wolfgang Petersen had developed for Warner Bros. Pictures, before Petersen chose to direct Troy and Nolan subsequently made Batman Begins (2005).[39][40][41] Nolan believed he was "in a little over [his] head" for Troy, but felt he had become more qualified to adapt the "sweeping story" of the Odyssey after working on several large-scale productions during the following 20 years.[12][42] The Odyssey was expected to be the most expensive film of Nolan's career with a net budget of $250 million.[43][3]
Nolan described The Odyssey as the largest and most challenging production of his career due to its scale.[44] He explained that he chose to adapt the Odyssey because it had not been adapted into a large-scale production from a major Hollywood studio, calling it "an odd gap in movie history".[12] Nolan and Thomas described The Odyssey as "foundational" because it incorporates aspects of the horror, mystery, romance, and thriller genres of stories.[9]: 59 [42] Nolan also said that The Odyssey had influenced his previous films.[9]: 50 He read and studied The Odyssey and several of its translations, including those by classicists Emily Wilson, E. V. Rieu, and Robert Fagles.[12][13] He wrote the script in a non-linear fashion.[45] While the script was said to be "very faithful" to Homer's text, Nolan made some alterations, such as more prominently featuring Odysseus's faithful dog Argos; more interactions between Odysseus and Telemachus; humanizing the goddess and witch Circe to be unsettling yet sympathetic; and complicating the reunion between Helen of Troy and Spartan king Menelaus.[12] He was interested in portraying Odysseus's cleverness and inventiveness, particularly citing his characterization in Wilson's 2017 translation of the Odyssey.[7]
To combine the Odyssey's fantastical elements with Nolan's use of "tactile realism", the director chose to take a realistic approach in depicting the evidence and actions of the gods through natural phenomena once considered "supernatural" during the story's time period. Nolan called this a major creative breakthrough.[9]: 59 [12] Nolan cited Andrei Tarkovsky's Andrei Rublev (1966) and Akira Kurosawa's Ran (1985) as major inspirations, particularly regarding its visual style and atmospheric tone.[13] Nolan also drew inspiration from various Greek mythology–inspired films he watched in his youth, particularly the works of animator and special effects artist Ray Harryhausen.[42] Nolan had considered casting actors to portray Greek gods throwing thunderbolts from Mount Olympus, but found depicting the characters' fear of the gods' actions provided a more immersive experience than outright showing the gods.[12]
Casting
By October 2024, Matt Damon was in talks to star after collaborating with Nolan on Oppenheimer and Interstellar (2014).[32][33] Damon was confirmed to star later in October when Tom Holland was cast.[46] Previous Nolan collaborators Anne Hathaway—who starred in The Dark Knight Rises (2012) and Interstellar—and Robert Pattinson, who starred in Tenet (2020), joined the cast in November,[47][34] alongside Zendaya,[47] Lupita Nyong'o,[48] and Charlize Theron.[35] Damon, Holland, Hathaway, and Pattinson were all set for lead roles, with Nyong'o and Zendaya having supporting roles.[34] Pattinson was the only actor who requested to read the script before signing on.[11]
Further casting took place throughout early 2025, with prior Nolan collaborators Benny Safdie,[49] Elliot Page, Himesh Patel, Bill Irwin,[50] Josh Stewart,[51] Anthony Molinari,[52] and James Remar joining.[53] Patel was quietly offered his part in December 2024.[54] Additional actors cast alongside them were Jon Bernthal,[55] John Leguizamo,[56] Samantha Morton,[50] Jesse Garcia, Will Yun Lee,[57] Rafi Gavron, Shiloh Fernandez,[27] Mia Goth,[58] Corey Hawkins,[59] Nick E. Tarabay, Jimmy Gonzales, Maurice Compte,[28] Michael Vlamis, Iddo Goldberg,[20] Ryan Hurst,[60] Jovan Adepo,[61] and Sean Avery.[25] Cosmo Jarvis had also been cast,[62] but dropped out shortly before filming began due to a scheduling conflict and was subsequently replaced by Logan Marshall-Green.[63] Marshall-Green initially self-taped in December, and was offered a callback in January which he declined; two months later, he was offered the role when Jarvis dropped out.[64] Skeet Ulrich said he unsuccessfully read for a role in early February alongside two other actors.[65]
Universal confirmed that Damon was portraying Odysseus in the middle of February, ahead of the start of filming later that month. This came after some rumors had circulated that Holland could be playing the role;[6] Holland was later confirmed to be portraying Odysseus's son, Telemachus.[8] To prepare for his role, Damon underwent an extensive training regimen and a strict diet to become "lean but strong", which included no longer consuming gluten and reducing his weight to 167 pounds (76 kilograms).[66] He also grew a full beard for a year, after Nolan declined to use artificial facial hair because he wanted to capture "the physicality of real hair".[67][66]
Design and special effects

Production designer Ruth De Jong and costume designer Ellen Mirojnick returned to work with Nolan from Oppenheimer.[68][69][12] Mirojnick discussed her emphasis "on tactility—giving every piece of linen, leather, armour and sandal the texture and dimensions of lived history." Her costume design extended to the Mycenaean Greece costumes for both kings and soldiers, and the draping costumes of both Athena and Calypso.[70] De Jong designed the sets and ornaments, including the 36 foot (11 metres) tall and 8,800-pound model of the Trojan Horse that was transported in 27 crates to the seashore.[70][71]
To depict the armor, weapons, and ships, Nolan said that the production thoroughly researched the "very fragmentary archeological records" of the Bronze Age and Ancient Greece during Homer's life. On the production choices, Nolan explained that the "oldest depictions of Homeric characters tend to be depicted in the manner of people living in Homer's time. So there's a pretty strong case there for portraying things that way because that's the way the first audience received the story." Nolan added that Mirojnick sought to convey through the armor worn by Agamemnon that he had an elevated status by using materials more expensive to obtain, such as blackened bronze, silver, and sulfur.[12]
The Cyclops was achieved via a combination of animatronics, puppetry, and an on-set performance by Bill Irwin, with its design taking influence from the Francisco Goya painting Saturn Devouring His Son.[16] The soldiers eaten by the Cyclops were small semi-edible models with an inner skeleton and burstable bags of blood.[72] Likewise, the sequence where Circe transforms Odysseus' crew into pigs was achieved through a combination of animatronics, puppetry, makeup effects and stage magic techniques.[73][74] Wētā Workshop provided special effects for the production.[75]
Filming

Principal photography lasted for 91 days between February 25 and August 5, 2025,[11][76][clarification needed] using the working title Charlie's Tale,[77] and wrapped nine days ahead of schedule.[12] Location shooting primarily took place in six countries: Morocco, Western Sahara, Greece, Italy, Iceland, Scotland, and the United States.[11][78] Nolan sought to embrace the "physicality of the real world" by filming on location to help inform the storytelling and capture "how hard those journeys would have been for people. And the leap of faith that was being made in an unmapped, uncharted world." The director felt that the shifting weather conditions amplified this practical approach due to the challenges they posed.[42] Hoyte van Hoytema reunited with Nolan as cinematographer.[6]
After using IMAX 70 mm film extensively since The Dark Knight (2008), The Odyssey became the first feature film shot entirely with IMAX film cameras, primarily using a newly manufactured lighter and quieter version Nolan had specifically developed for the production alongside older versions.[38][79][80] For close-up scenes requiring audible dialogue, the IMAX cameras were often concealed in large sound blimps on set, while a system of mirrors was set up to help the actors maintain eye contact when the cameras obscured their view.[12][80] Over 2 million feet (610 kilometres) of IMAX 70 mm film was used to shoot The Odyssey.[42] As a single IMAX camera can only hold roughly three minutes of film, actors had to pause during longer scenes while the camera was reloaded before resuming their performances.[81][82]
The first scenes were filmed in late February at the Aït Benhaddou village near Ouarzazate, Morocco,[76][9]: 56–57 to depict the city of Troy at the end of the Trojan War in an appetizer sequence before the bulk of The Odyssey,[9]: 56–57 [83] as well as in the cities of Essaouira and Marrakesh.[84][85] Van Hoytema rigged numerous portable LEDs to emulate the specific firelight color temperature for the midnight raid of Troy, allowing Nolan to film in any direction.[12] Filming took place in the Messenia unit of the Peloponnese region in Greece, from March 10 to 21, at Pylos, the Methoni Castle, the Almyrolakkos beach in Yialova, and Nestor's Cave in the Voidokilia beach for scenes featuring the Cyclops Polyphemus, as well as at an archaeological palace site in Acrocorinth, Corinth.[86][87][88] The production partnered with Faliro House Productions's NAF subsidiary for filming in Greece,[88] which lasted three weeks.[89] The production received over €6.5 million ($7.5 million) in funding from Greece's Hellenic Film and Audiovisual Center S.A. (Creative Greece), as part of its approximate €140 million ($160 million) investment in over 200 local and international productions,[90][91] as well as a 40% cash rebate.[89][92]
By March 27, the production moved to the Aegadian Islands in Sicily, Italy, to film on the island of Favignana, believed to be the location known as the "goat island" in the poem.[93][68] Water-borne filming subsequently took place from April 15 to May 15 throughout the Aeolian Islands of Lipari, Basiluzzo, and Vulcano for scenes featuring the mythological island of Aeolia. Filming in these regions was subject to certain safeguarding restrictions from local ordinances,[94][93] with Fremantle's Italian production company Wildside servicing the shoot.[93] For the maritime sequences, the production used the largest modern Viking longship, the Draken Harald Hårfagre, which doubled as an ancient Greek warship that the actors portraying Odysseus's crew commanded,[9]: 55 [42][95] and was sailed to each of the filming locations.[12] Nolan described filming at sea as a particularly primal experience.[42]
Halfway through shooting by early May, filming took place at the Falls Lake water tank on the Universal Studios Lot in Los Angeles, the production's only set constructed on a studio sound stage,[9]: 55 [96][11] before shooting at Findlater Castle in Moray, Scotland, in early June.[97] For ten days in late June, the production partnered with Truenorth in remote regions of Iceland, including the harbor Landeyjahöfn, the Hjörleifshöfði mountain, the river Markarfljót, and the Snæfellsnes peninsula,[61][77] primarily to shoot scenes on their black sand beaches for the Greek underworld of Hades,[9]: 55 [78] before returning to Scotland for scenes at the Buckie Harbour along the Moray Firth coast and at the secluded Sunnyside Beach near Cullen, Moray.[25][95] Filming took place in the Culbin Forest from July 3 to 16,[25] where the giant Laestrygonians were portrayed using a variety of practical techniques including forced perspective, wire work,[98] and having seven-foot tall stuntmen play the giants opposite five-foot tall body doubles for the other members of the cast.[99] Damon's double for the scene was four-foot-six stuntwoman Devyn Dalton, and an image of her from behind appears in one of the film's posters as well.[100] The Laestrygonians are portrayed as having more technologically sophisticated armor and weaponry than anything previously encountered by Odysseus to emphasize the brutality of the encounter and test his leadership.[98] Filming returned to Findlater Castle through July 25,[25] with Theron filming her scenes during the last two weeks in July.[101] Some filming also took place in Malta for Calypso's Cave,[102][103] before concluding back at the Universal lot for most of the last week of filming.[11][103] Filming was reportedly set to occur in Ireland and the United Kingdom.[93][104]
Filming took place between July 17 and 22, with Damon and Zendaya, at the White Dune near Dakhla, Western Sahara,[83][105] a territory under Moroccan occupation since 1975.[106][107][108] The UN-recognized Polisario Front and organizers of the Sahara International Film Festival decried the decision to film in Western Sahara as whitewashing Morocco's colonialism.[84][106] The festival's organizers called for the production to be halted, but filming in the territory had already concluded.[106][107] They subsequently released a statement calling on Nolan to obtain consent from "the legal representatives of the Sahrawi people" or otherwise remove the scenes shot in Dakhla. This statement was signed by several prominent figures, including Spanish actors Carlos and Javier Bardem, Luis Tosar, Carolina Yuste, and Juan Diego Botto, Spanish filmmakers Rodrigo Sorogoyen and Icíar Bollaín, and Sahrawi human rights defender Elghalia Djimi.[109][110][111] Meanwhile, the Moroccan Cinematographic Center called The Odyssey an important production to promote the Moroccan film industry and said that it was the first major American film to be filmed in that territory.[84][85]
Editing and visual effects
Over 2 million feet of 15-perf 65mm negative film stock shot for The Odyssey was developed and processed at FotoKem in Burbank, the last film laboratory producing 70mm prints.[112] The cost of the film stock alone totaled to roughly $3 million.[113] The film stock was scanned and converted into high-resolution digital files for editor Jennifer Lame to make initial cuts. The film negative would then be cut and spliced by hand.[114] Color grading was done through the analog method of color filters on a light table with numerical values assigned to each shot for the final print.[114]
DNEG provided the visual effects for The Odyssey,[115] with Andrew Jackson serving as visual effects supervisor and editor Jennifer Lame returning from previous Nolan productions.[116][115] Unlike the Cyclops and Laestrygonians, the six headed Scylla was a predominantly digital effect, with Nolan stating the creature was inspired by the works of Guillermo del Toro, saying, "What I learned from him is that a monster is not a monster. You have to approach them the way you approach any other character."[16] A ratchet system was devised to lift stunt performers into the air for the Scylla's attack, while the nearby whirlpool was created by having jet skis ride in circles as reference material to be replaced later by digital effects.[117]
Music
By April 2025, Ludwig Göransson was composing the musical score for The Odyssey after previously working with Nolan on Tenet and Oppenheimer.[118] Nolan wanted to avoid the typical orchestra music commonly heard in other sword-and-sandal films. To "evoke the materiality" and setting of the Bronze Age, Göransson included in the score: various bronze gongs layered with synthesizers; bronze instruments; at Nolan's suggestion, the sound of the ancient lyre for when Odysseus plucks his bow,[12] and the ancient aulos; Albanian iso-polyphony folk chorals and flutes recorded by Albanian shepherds; and cacophonies of sheet metal alarm drums.[119][120][17][121]
Musicians Callum Armstrong and Rosa Fragorapti played replicas of an ancient aulos and lyre. Due to the obsolescence of the instruments, they had to research ancient source material to use them properly.[119] English electronic musician James Blake and American rapper Travis Scott (who appears in the film) also contributed vocals to the score, and the two collaborated with Göransson on an original song, "When I'm Home", which plays over the closing credits.[122][120][21] Nolan is credited as a co-writer of the song.[21]
The soundtrack album was released digitally by Universal's Back Lot Music label on July 17, 2026, coinciding with the release date. Record manufacturer Mutant released a triple vinyl LP version of the soundtrack on July 31, 2026, followed by a double album CD release on August 14, 2026.[123]
Marketing

Before the start of filming in February 2025, Universal Pictures released a "surprise" first-look still image of Damon in costume as Odysseus.[6] Jen Juneau at People described Damon's side-profile pose as "brooding" and "intimidating".[125] The costume—particularly its Corinthian helmet with a red plume in place of a boar's tusk helmet—was labeled by various commentators and historians as historically inaccurate, both in terms of the armor Odysseus would have worn around the time the Odyssey takes place and of what is described in the Iliad.[124] /Film's Jeremy Mathai felt the image did not provide much insight into the tone or Nolan's approach to the source material, and acknowledged the costume's similarities to ancient Greek attire typically depicted in films.[126] Joe George at Den of Geek felt Nolan paid homage to the New Hollywood films from his childhood, such as The 300 Spartans (1962) and Jason and the Argonauts (1963), especially animator Ray Harryhausen's stop-motion visual effects work on the latter. George said that while Nolan's "decision to veer towards old Hollywood instead of historical accuracy might surprise some", the director's previous films incorporated aspects of his influences while still making each "feel original and of the moment".[127]
In July 2025, one year before The Odyssey's release, a 70-second teaser trailer featuring Holland and Bernthal debuted ahead of screenings for Universal's Jurassic World Rebirth.[8][128] The teaser leaked online soon after,[3][128] which Greg Evans at The Independent said sent some fans "into a frenzy" due to its high anticipation.[129] Ryan Britt of Men's Journal believed this was warranted and described the teaser's "haunting nature" as promising "a myth actually brought to life". He highlighted Bernthal's "ominous" narration with a "touch of naturalism and realism", noting that Odysseus is talked about more than he is depicted.[130] Vanity Fair's Eléa Guilleminault-Bauer felt the teaser previewed The Odyssey "through suggestion and cleverly elliptical editing".[131] /Film's Rick Stevenson wrote that the teaser continued Nolan's tradition of using an "often cryptic, vibes-first trailer, meant more to tease the mood of the film than to give away much in the way of plot or detail", but also found it to be "fairly substantive" compared to the similar teasers for some of Nolan's previous films.[132] Esther Zuckerman at The New York Times felt the teaser was "coy about revealing too much" about the adaptation.[133]
An extended six-minute prologue, showcasing Odysseus and his men using the Trojan Horse at the end of the Trojan War, debuted on December 12, 2025, in front of IMAX 70 mm screenings of Warner Bros. Pictures' films One Battle After Another and Sinners, followed by 20th Century Studios' Avatar: Fire and Ash upon its release on December 19.[134] Tim Robey at The Daily Telegraph felt the prologue was a surprise for some audiences that promised a "gritty, gruelling, and aptly awe-inspiring" adaptation, and compared the "stifling claustrophobia" of being inside the Trojan Horse to sequences of capsized ships in Nolan's film Dunkirk (2017). He said the "immediacy of this sequence as a race against time is very Nolan", yet felt it did not supersede The Dark Knight's bank heist prologue.[18] Variety's Daniel D'Addario compared the prologue to the Trojan Horse itself, describing it as a "carefully wrought" story within a story. He commended the footage for "delicately intercutting" from the chaotic warfare to the "precision of the gears gradually turning in the Trojan wall's door".[135] A two-minute teaser trailer debuted ahead of standard Fire and Ash showings and was released online on December 22.[136][134] Commentators noted its scope compared to earlier marketing.[137][138][139][140] Edward Segarra at USA Today called the trailer montage "suspenseful",[136] IndieWire's Kate Erbland highlighted the "inherent drama and pain" of Odysseus's journey,[137] while Empire's Ben Travis was impressed by the "wet and wild photography" but questioned the continued absence of supporting cast members Pattinson, Zendaya, Nyong'o, and Theron.[139] The trailer accumulated 121.4 million global views within 24 hours across TikTok (27%), YouTube (26%), Facebook (21%), Instagram (18%), and X (formerly Twitter) (10%), making it the eighth most-viewed trailer of 2025. This surpassed the trailer views for Universal's Wicked: For Good (113 million) and more than doubled the views for the first Oppenheimer trailer during the same time period.[141]
Universal and NBC Sports coordinated on an advertisement starring Damon to cross-promote the 2026 Winter Olympics and The Odyssey. A short promotional clip debuted during the January 2026 NFL Wild Card playoffs, followed by the full teaser and a shorter version, respectively, airing during the Winter Olympics and the Super Bowl LX pregame show.[142] New footage was included in a minute-long TV spot that aired on January 25, 2026, during the AFC Championship Game between the New England Patriots and the Denver Broncos. This featured a monologue scene with Holland, Bernthal, and rapper Travis Scott, who previously contributed the Tenet theme song "The Plan".[143] Vulture's Bethy Squires felt Scott portraying a bard was fitting because poems such as the Odyssey were historically sung-through.[144] Frazier Tharpe at GQ questioned whether Scott had a prominent role or a "glorified cameo", and called his appearance a "craftily placed" surprise for viewers, especially considering the high viewership of the game during a major North American winter storm.[145] Nolan presented new footage at Universal's CinemaCon panel in April 2026,[14] and debuted a new trailer on The Late Show with Stephen Colbert the next month.[45] James Hibberd of The Hollywood Reporter called it the "most footage-filled trailer yet".[146]
IMAX released an IMAX camera–themed popcorn bucket in movie theaters to coincide with the release,[147][148] while a Trojan Horse popcorn container was made available at AMC Theatres, Regal Cinemas, and Cinemark Theatres. Gizmodo's Jen Lennon called the IMAX popcorn bucket the "geekiest snack merch ever for film nerds", but said the Trojan Horse container "has it beat in terms of geekiness for literature nerds".[148] Universal partnered with the John Rylands Research Institute and Library in Manchester, England, to have the Manchester Odyssey, the oldest version of the Odyssey, publicly exhibited from July 15. The 1,700-year-old manuscript was displayed in New York and London at press junkets with the cast and crew in the lead-up to the release.[149] Universal also commissioned a 36-foot (11-metre) tall and 8,800-pound replica of the Trojan Horse that was transported and displayed throughout London, alongside another replica throughout the United States and in Venice, while the original model used during filming was displayed at Universal CityWalk Hollywood in Los Angeles.[71] Universal and Syncopy partnered with publisher Insight Editions on two companion books written by James Mottram, Filming The Odyssey: Inside the Making of Christopher Nolan's Modern Epic and The World of the Odyssey: A Visual Journey, for release in August and September, respectively. Filming The Odyssey explores the behind-the-scenes technical production aspects through interviews with the cast and crew, as well as on-set photographs, concept art, and research material. It also features a foreword by Damon and a variant cover available at Barnes & Noble. The World of the Odyssey provides a visual guide to the film, featuring character profiles and explanatory elements for major locations, items, and events, along with quotes from the cast and crew.[150]
Release
Theatrical
The Odyssey held its world premiere on July 6, 2026, at the Odeon Luxe Leicester Square in London.[151] As part of the global promotional tour, a two-day promotional showcase and official premiere event was held from July 10 to 11, 2026, in Mumbai, marking the first time a film directed by Christopher Nolan held an official premiere event in India.[152][153] Another premiere was held on July 14, 2026, at the AMC Theatres venue on Lincoln Square in New York City.[154]
The Odyssey was released theatrically by Universal Pictures on July 17, 2026, in the United States and the United Kingdom.[38] It has been presented in a variety of aspect ratios depending on the exhibition format: 1.43:1 on IMAX 70 mm film prints, 1.90:1 on IMAX digital screens, 2.20:1 on 70 mm film prints, 2.39:1 on 35 mm prints, and either 2.39:1 or 1.85:1 for other premium large format (PLF) screens, such as D-Box and RX, depending on the specifications of individual auditoriums.[155] Only 41 screens worldwide can present the film in IMAX 70mm, 25 in the United States, 9 in Canada, 3 in the UK, and 1 each in Australia, Belgium, France and the Czech Republic, with the IMAX Melbourne screen in Australia being the only venue in the Southern Hemisphere capable of doing so.[82][156] This is an increase from the 30 IMAX 70mm prints for Nolan's previous film Oppenheimer, due to an effort from the IMAX Corporation to locate, refurbish and install disused IMAX 70mm projectors, as well as train 60 new projectionists.[157] The Odyssey was released theatrically in China on nearly 800 IMAX screens on August 14, 2026, following early previews beginning on August 1 and 2 in Beijing, Shanghai, Guangzhou and Shenzhen.[158]
Home media
The Odyssey will be available on digital platforms and Ultra HD Blu-ray from November 17, 2026, 120 days after its theatrical release.[159] Presented in a 4K HDR transfer in a 1.78:1 aspect ratio with a DTS-HD MA 5.1 soundtrack, the decision to simultaneously release on UHD Blu-ray and digital has been interpreted as part of Nolan's longstanding proponency for physical media over streaming.[160]
Reception
Box office

As of September 21, 2026, The Odyssey has grossed $611 million in the United States and Canada, and $1.115 billion in other territories, for a worldwide total of $1.726 billion.[4][5][161] Produced on a $250 million budget, The Odyssey is among the most expensive of Nolan's career and is one of the most expensive films ever made.[43] The film became Nolan's first to surpass $1 billion since The Dark Knight Rises.[162]
Pre-sale ticket records
Tickets for select opening weekend IMAX 70 mm screenings were made available on July 17, 2025, one year before its release, which was considered an unprecedented move by a major film distributor.[43] Some of these showings sold out within the first 12 hours of their availability, including half of the 22 theaters available in the United States, earning approximately $1.5 million.[43][163]
Tickets for the remainder of IMAX, IMAX 70 mm, and premium format screenings went on sale on June 4, 2026, ahead of general admission tickets being made available later that month.[164] Ticketing websites Fandango Media and AMC Theatres experienced delayed queues, with initial wait times lasting up to an hour due to the high influx of users attempting to purchase tickets, comparable to that of the 2023 concert film Taylor Swift: The Eras Tour.[165][166][164][147] Emily St. Martin at the Los Angeles Times described attempts to purchase tickets as "an epic journey of its own".[167] $3.4 million was accumulated from approximately 150,000 pre-sale tickets in the first 24 hours, making it the highest pre-sale gross in four years at that time.[168] The first-day PLF pre-sales were also the highest pre-sales for a major studio release for AMC since 2022, surpassing the first-day pre-sales for any film from 2025 and early 2026.[164] The Odyssey sold 28,000 presale tickets at the BFI IMAX in 24 hours, earning £750,000 ($1 million). This more than doubled the £366,000 ($490,000) gross of the venue's previous record holder, Dune: Part Two (2024), and surpassed the £254,000 ($340,000) gross of Oppenheimer during the same timeframe.[168] Richard Gelfond confirmed that by July 16, 2026, many IMAX venues had already sold out into the film's fifth weekend.[157]
Performance
In France, The Odyssey opened on July 15, 2026, in 730 theaters and drew 230,000 viewers on its opening day, surpassing the opening of Oppenheimer (160,000 viewers).[169] In the United States and Canada, it earned $51.2 million from its opening day, including $17.6 million from Thursday night previews, which was the highest for any film during that time frame for the year, surpassing Toy Story 5 ($17.5 million). It went on to gross $41.66 million and $31.7 million during its opening weekend, for a total of $123.5 million from 3,919 theaters, ranking first ahead of Moana.[170] This was the best opening for Canada and the United States within a year; the third-best for a Nolan film, behind The Dark Knight Rises ($190.9 million in 2012) and The Dark Knight ($158.4 million in 2008); as well as the highest debut for Damon, surpassing The Bourne Ultimatum ($69.2 million in 2007); an R-rated Universal film, surpassing Fifty Shades of Grey ($85.1 million in 2015) and Oppenheimer ($180 million); and the fourth highest opening for an R-rated film overall after Deadpool & Wolverine ($211.4 million in 2024), Deadpool ($132.4 million in 2016), and Deadpool 2 ($125.5 million in 2018).[170] It achieved the highest live-action opening weekend for a 2026 film, beating Michael ($97.2 million), as well as the third-highest opening weekend of that year, only behind Toy Story 5 ($159.6 million) and The Super Mario Galaxy Movie ($131.2 million).[170] The film also generated the second-highest IMAX opening weekend for the United States and Canada with $29.6 million, after Star Wars: The Force Awakens ($30.1 million in 2015).[171] Within other countries, it debuted to $130.6 million from 12,700 theaters in 73 markets, marking the largest foreign debut for Nolan, with the highest markets including France, Italy, India, Spain, Brazil, the Netherlands, and Poland, as well as the biggest opening for Universal in 11 markets.[170] The film delivered the biggest opening weekend at the BFI IMAX with £219,867 ($296,147), surpassing the previous record gross of £216,454 ($290,979) held by Star Wars: The Last Jedi (2017).[172] The combined opening grosses resulted in a worldwide opening total of $264.1 million, the highest ever for Nolan, surpassing The Dark Knight Rises ($249 million).[170]
In the United States and Canada, The Odyssey earned $90 million from its second weekend, marking the 14th all-time highest second-weekend gross for a film in the region and the second-best second-weekend gross for an R-rated film, behind Deadpool & Wolverine. After the second weekend, The Odyssey has grossed $639.9 million globally, including $286.3 million in the United States and Canada, where it became the highest grossing R-rated film of the year and the second highest grossing R-rated Universal film, behind Oppenheimer.[173][174] It managed to hold well in its third weekend with $51 million despite being dethroned by Spider-Man: Brand New Day.[175] Originally finishing August 17, IMAX 70mm screenings were extended until September 16, due to high demand selling out screens for seven weeks in a row,[176] sending IMAX stock prices to an all time high.[177] By August 10, The Odyssey had surpassed Avatar (2009) to become the highest-grossing IMAX film, earning $289 million globally, $37.5 million of which came from the 41 IMAX 70mm screens.[178]
Following the film's commercial success, Greek Prime Minister Kyriakos Mitsotakis congratulated Christopher Nolan in a video call, thanking him for promoting ancient Greek culture internationally and for choosing Greece as the film's principal shooting location. He said productions of this scale serve as a bridge between Greece's cultural heritage and 2020s filmmaking.[179]
Critical response

The film received widespread critical acclaim, with praise for the performances, sets, scale, and Nolan's direction.[180] On review aggregation website Rotten Tomatoes, 94% of 512 critics' reviews are positive, with an average rating of 8.7/10. The website's consensus reads: "Reinvigorating an ancient adventure with majestic sweep and sterling work by its colossal ensemble, Christopher Nolan's The Odyssey imbues myth with primal human feeling."[181] It is Nolan's highest-rated film on the website.[170] Metacritic, which uses a weighted average, assigned it a score of 88 out of 100, based on 63 critics, indicating "universal acclaim".[182] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale, while 81% of those surveyed at PostTrak said they would definitely recommend it.[170]
Randy Myers of The Mercury News called The Odyssey "another feather in Nolan's masterpiece cap, a grandiose achievement that fills audiences with the same child-like glee experienced when watching Jason and the Argonauts and Clash of the Titans for the first time".[183] Jake Wilson of The Sydney Morning Herald wrote that Nolan "has a way with a time paradox" and that "he can take one of the oldest stories in Western culture and make it feel new".[184] In The Daily Telegraph, Robbie Collin wrote: "Nolan and his collaborators have constructed a strange, fearsome and trailblazing machine of a movie – by some distance, the best of the year so far."[185] Alistair Harkness of The Scotsman called it "a thrilling, thoughtful, bloody epic", writing that it "feels like Nolan's angriest film" and one of his best.[186] Clarisse Loughrey of The Independent described it as "a blockbuster of literally unprecedented scale", and Nolan's best film.[187] In The New York Times, Manohla Dargis wrote: "It is an anomalous big-studio entertainment that Nolan has filled with stars and polished to a high gleam, turning a 3,000-year-old poem into a smart, thoughtful film with Old Hollywood allure."[188] Justin Chang of The New Yorker praised Nolan's realistic approach and wrote that his rationalism provides "just the note of real-world groundedness that a great fantasy needs to achieve liftoff".[189]
However, there was some criticism for the sound mixing, dialogue, and deviations from its source material.[180] Richard Brody of The New Yorker felt that Nolan "turns an epic poem prosaic".[190] In Time, Stephanie Zacharek called it an "eye-glazing dud".[191] Odie Henderson of The Boston Globe wrote: "Pattinson has fun channeling Roddy McDowall's snarky performance in Cleopatra. But like that epic flop, The Odyssey takes itself too seriously. The film ultimately sinks under its bleakness like a lead balloon."[192] Mohamed Sleiman Labat in The Guardian criticized "the decision to shoot in Moroccan-occupied Western Sahara, where the Indigenous [Sahrawis] people can't tell their stories without fear of imprisonment", and accused Nolan of participating in a "state-sponsored PR campaign designed to legitimise an illegal occupation".[193] Angelica Jade Bastién of Vulture felt that the film was "limited by cinematic sexism" due to the film's "incuriosity" with its female characters.[194]
Views of Nolan's interpretation of Homer's poem
Critics have noted multiple differences between Nolan's and Homer's versions of The Odyssey. Some have questioned whether Nolan accurately depicts Mycenaean Greece; others have argued that Homer's epic was simply a myth, and others again have stated that while The Odyssey is a story, it was rooted in history.[195] The film has been described as both the "most anticipated" and the "most contested" of 2026.[196]
The process of adapting an ancient book-length poem to a single 172-minute film makes changes and omissions inevitable.[197] Nolan cut some plot elements and characters, including several gods, while attempting to preserve an "appropriate tone". He decided to portray Odysseus as a veteran tired of war and haunted by slaughter. That offers a modern explanation for the length of Odysseus's homecoming—that he was avoiding going home.[198] The historian Andrew E. Larsen admired the film's look, but considered the Greek costumes unhistorically drab, and found Agamemnon's armour silly.[199] The classicist Armand D'Angour liked the use of an ancient musical instrument, the aulos.[200] Others critiqued the armour and ship designs.[78][201][202] Some critics argued that the adaptation reshaped the poem's ancient moral framework to align with modern attitudes.[190][203] The casting of the Kenyan-Mexican actress Lupita Nyong'o as Helen of Troy was criticised by conservative American commentators as blackwashing.[a] Several commentators called this criticism racist.[b] Larsen commented that Greek literature accepted the black princess Andromeda as extremely beautiful.[199]
The English classicist Mary Beard criticised the film as "an Odyssey without the sex" or the humour of the original. She called the character dynamics "feebly handled", and that the adaptation failed to capture the nuances of Homer's text.[209][210] Emily Wilson, whose 2017 translation inspired Nolan, called the result a simple action film[211][212] lacking "psychological, emotional, political and ethical depth", abysmally written, and with "nothing convincing to say" about the Odyssey's major themes.[213]
Others argued that Nolan's film succeeds on its own terms, creating a popular film matching the expectations of a modern audience.[c] The British critic Peter Bradshaw praised the film's ambition and scope, offering a vision of grim resolution in the face of loss.[215] Guy Lodge of Variety described it as a "vast, thrilling, slightly aloof epic", offering the audience so much that the chilliness works.[216]
Casting choices
The casting of Kenyan-Mexican actress Lupita Nyong'o as Helen of Troy—often described as the most beautiful woman in the world—was criticized by conservative commentators, such as Matt Walsh and Elon Musk, as blackwashing.[d] Several commentators called this criticism racist,[e] comparing it to similar casting criticisms of the docudrama Queen Cleopatra (2023) and the Disney film The Little Mermaid (2023).[205][208] Referencing Greek professor Dimitris Liantinis, Philip Chrysopoulos of the Greek Reporter acknowledged that Homer described Helen as pale or "white-armed" but noted that he did not describe her in detail, allowing everyone to imagine her for themselves.[217] Salon's CK Smith opined that the backlash over her depiction's alleged inaccuracy was "selective" and more about social issues over minority representation than about fidelity to the source material.[205] Meanwhile, Nolan defended Nyong'o's casting, saying he believed the actress conveyed the "strength and the poise" he found essential for the role. Nyong'o opted to emphasize who Helen was beyond her appearance, stating, "You can't perform beauty". She added that the cast was meant to be "representative of the world" while "occupying the epic narrative of our time".[204]
Another casting choice Nolan was criticized for was Elliot Page, whose role in the film was not initially announced but was rumored to be Achilles.[208] Entertainment Weekly described some of the online backlash about Page as "transphobic memes about Page playing a role that may not even be his".[218] Writing for The Guardian, Greek film critic Chris Cotonou called this an "honourable intention", but argued that it made the absence of Greek actors "even more glaring", as they are the people "most authentically connected to the source".[207]
Linguistic register
The use of American accents and 21st-century American English dialogue from the cast, including British actors Holland and Pattinson, was also criticized.[146][219] James Hibberd of The Hollywood Reporter called this decision a "striking departure from the unwritten Hollywood rule of characters in historical epics employing British accents".[146] Hibberd and Nell Geraets at The Sydney Morning Herald contended that using ancient Greek dialects would not be accessible for contemporary audiences,[146][219] unlike an American accent.[220] This change was perceived as anachronistic for an adaptation of ancient Greek literature,[146] with Geraets noting neither British nor American accents were linguistically authentic to the ancient Greek setting,[219] while Hibberd said using American accents "risks sounding a bit silly at times", unlike the "'just foreign enough'" modern British accent.[146] Nolan insisted on the cast using American accents rather than British or Greek,[54] which IGN's Scott Collura defended, noting that Wilson's translation of the poem similarly translated the text into plain English, quoting her rationale: "Translation always, necessarily, involves interpretation."[221] The accents and everyday language dialogue were mocked by some online commenters.[146][219][221]
Accolades
| Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
|---|---|---|---|---|---|
| Astra Midseason Movie Awards | June 30, 2026 | Most Anticipated Film | The Odyssey | Won | [222] |
| Celebration of Cinema and Television | October 2, 2026 | Career Achievement Award | John Leguizamo | Won | [223][224] |
The Odyssey (2026 film) - Wikipedia
Themes
Memory, time, and autonomy
In discussing the themes with MS NOW, Nolan stated that "There are so many different themes, so many different elements of Homer's original poem that appear in movies and have been the sort of bedrock of Hollywood for so long... It hasn't really been told as a modern film for modern audiences. And so, for a director, that's a pretty thrilling opportunity to try and challenge yourself and try to bring something new to the table."
For Daniel Chin, the central themes of the film are its emphasis on the nonlinear experience of time and the exploration of memory in the principal characters, especially of Odysseus and his alternating experience of remembering and forgetting his homeland in Ithaca.[225]
In his review for The Gospel Coalition, Brett McCracken sees the central theme in the film as that of human autonomy struggling with divine intervention as reflected both in the film and in its advertising poster tag-line "Defy the Gods", stating: "The Odyssey's marketing campaign tagline, 'Defy the gods,' is an extension of this theme (human autonomy). It's not that Nolan dislikes Greek mythology. He seems to appreciate it as a beautiful story that helped build Western civilization. But Damon's version of Odysseus doesn't particularly need the gods. He often feels skeptical of them ('Why can't God [sic] speak in ways we understand?') and puts faith more in himself than in deities."[226]
Breakdown of societal norms and decorum
Critics interpreted the film as reframing The Odyssey into a meditation on the moral consequences of war and the erosion of the social norms and decorum that underpin civilization.[215][203][227] The film explores the Greek concept of xenia—the mutual respect between hosts and guests—using it to reframe the Trojan Horse and Odysseus' journey as explorations of post-traumatic stress disorder, war guilt, moral injury, and the breakdown of trust in civic norms, with some interpreting the film as a 21st-century political allegory.[215][228][227]
See also
- Greek mythology in popular culture
- List of films based on poems
- List of historical films
- Troy, an adaptation of Homer's Iliad, set before the Odyssey – 2004 film by Wolfgang Petersen
- The Return, another contemporary film adapting part of the Odyssey – 2024 film by Uberto Pasolini
- Ulysses, the first feature film adaptation of the Odyssey – 1954 film by Mario Camerini
- List of films based on classical mythology
- List of films set in ancient Greece
- List of IMAX films
Notes
References
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- "The Odyssey (2026)". Box Office Mojo. IMDb. Retrieved September 22, 2026.
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- Travis, Ben (November 14, 2025). "The Odyssey: First Looks At Tom Holland, Anne Hathaway And Mia Goth In Christopher Nolan's Epic". Empire. Archived from the original on November 14, 2025. Retrieved November 14, 2025.
- de Semlyen, Nick (January 2026). "Bringing it Home". Empire. No. 448. United Kingdom. pp. 48–59.
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- Carson, Lexi (July 17, 2026). "The Odyssey Cast Guide: Who's Playing Who in Christopher Nolan's Epic". The Hollywood Reporter. Archived from the original on July 18, 2026. Retrieved July 17, 2026.
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- Beckerman, Jim (July 16, 2026). "Confused by 'The Odyssey'? Here's your crash course before the movie". USA Today. Archived from the original on July 18, 2026. Retrieved July 19, 2026.
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- Siegel, Tatiana (March 12, 2024). "Christopher Nolan's Final Oppenheimer Payday Close to $100 Million (Exclusive)". Variety. Archived from the original on March 12, 2024. Retrieved July 7, 2025.
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Chris Nolan made Oppenheimer, of course, but Langley and the Universal team outbid others for the project, treated it from the beginning like a blockbuster (and not a three-hour biopic), and managed to maintain Oscar momentum from July through its seven wins last night, including best picture. Such a remarkable feat that even rival studios admit Nolan's next project, which I'm told he's already started writing, is Langley's to lose.
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- Rubin, Rebecca (July 29, 2026). "The Odyssey Surpasses $700 Million Globally After 12 Days in Theaters". Variety. Archived from the original on August 1, 2026. Retrieved August 2, 2026.
- Rubin, Rebecca (August 7, 2026). "'The Odyssey' Surpasses $1 Billion, Christopher Nolan's First Movie Since 'Dark Knight Rises' to Reach Coveted Box Office Milestone". Variety. Archived from the original on August 7, 2026. Retrieved August 8, 2026.
- D'Alessandro, Anthony (July 17, 2025). "The Odyssey 70MM Imax Tickets Selling Out For Regal & AMC, But Seats Still Available". Deadline Hollywood. Archived from the original on July 18, 2025. Retrieved July 31, 2025.
- D'Alessandro, Anthony (June 5, 2026). "The Odyssey First-Day PLF Advance Ticket Sales Are Best At AMC For Any Studio Title Since 2022". Deadline Hollywood. Archived from the original on June 5, 2026. Retrieved June 5, 2026.
- Lang, Brent (June 4, 2026). "The Odyssey Ticket Madness: Online Wait Times Hit an Hour as Christopher Nolan's Epic Pushes AMC Site to Limit". Variety. Archived from the original on June 4, 2026. Retrieved June 4, 2026.
- Welk, Brian (June 4, 2026). "Buying The Odyssey Advanced Tickets? It'll Take You Over an Hour Just to Get on AMC's Website". IndieWire. Archived from the original on June 4, 2026. Retrieved June 4, 2026.
- Martin, Emily St. (June 4, 2026). "The Odyssey is slamming AMC's website because of fans' epic demand for tickets". Los Angeles Times. Archived from the original on June 5, 2026. Retrieved June 4, 2026.
- Ritman, Alex (June 16, 2026). "The Odyssey Breaks BFI Imax Records With $1 Million in Ticket Sales in First 24 Hours". Variety. Archived from the original on June 18, 2026. Retrieved June 17, 2026.
- Martin, Charles (July 16, 2026). "Box-office : L'Odyssee signe le troisieme meilleur demarrage de l'annee" [Box office: The Odyssey marks the third best start of the year]. Première (in French). Retrieved July 16, 2026.
- D'Alessandro, Anthony (July 19, 2026). "The Odyssey Slays With $124M+ U.S. Opening: 'A' CinemaScore, Best Live-Action Haul Of 2026, Record For Matt Damon As Lead & More – Box Office Sunday AM Update". Deadline Hollywood. Archived from the original on July 19, 2026. Retrieved July 19, 2026.
- Welk, Brian (July 20, 2026). "'The Odyssey' Box Office Shows Audiences Love IMAX 70mm as Much as Christopher Nolan Does". IndieWire. Archived from the original on August 4, 2026. Retrieved August 4, 2026.
- Ford, Lily (July 20, 2026). "'The Odyssey' Smashes 'Star Wars' Record Over London's BFI IMAX Opening Weekend". The Hollywood Reporter. Archived from the original on August 5, 2026. Retrieved August 4, 2026.
- D'Alessandro, Anthony (July 26, 2026). "The Odyssey's $87M Second Weekend A Record For Christopher Nolan, Besting Dark Knight – Sunday Box Office Update". Deadline Hollywood. Archived from the original on July 26, 2026. Retrieved July 27, 2026.
- Couch, Aaron (July 26, 2026). "The Odyssey Holds Strong for Big Second Weekend of $87M, Passes $600M Globally". The Hollywood Reporter. Archived from the original on July 27, 2026. Retrieved July 27, 2026.
- Rubin, Rebecca (August 2, 2026). "'Spider-Man: Brand New Day' and 'The Odyssey' Power Biggest Collective Weekend in Box Office History With $430 Million". Variety. Archived from the original on August 3, 2026. Retrieved August 4, 2026.
- Pequeño, Antonio IV (July 30, 2026). "Coveted 'The Odyssey' IMAX 70mm Screenings Extended After Weeks Of Sold Out Showings". Forbes. Archived from the original on July 30, 2026. Retrieved August 3, 2026.
- Roush, Ty (August 3, 2026). "IMAX Stock Reaches All-Time High As CEO Says 'The Odyssey' Demand 'Continues To Defy Gravity'". Forbes. Archived from the original on August 4, 2026. Retrieved August 9, 2026.
- McNulty, Sean (August 10, 2026). "Sonny Bunch: What If 'The Odyssey' Stayed in IMAX 70mm Forever?". The Ankler. Ankler Media. Archived from the original on August 11, 2026. Retrieved August 12, 2026.
- Tatsis, Akis (July 28, 2026). "Greek prime minister congratulations Christopher Nolan on 'Odyssey' box office success". Euronews. Retrieved August 4, 2026.
- Critical response summary attributed to the following references:
- McIntosh, Steven (July 15, 2026). "The Odyssey: Christopher Nolan film starring Matt Damon and Zendaya receives rave reviews". BBC News. Archived from the original on July 15, 2026. Retrieved July 17, 2026.
The Odyssey, the latest film from Oscar-winning director Sir Christopher Nolan, has received rapturous reviews from critics. [...] Although there were hardly any negative reviews, some critics said they had difficulty hearing the film's dialogue in places.
- Shoard, Catherine (July 16, 2026). "'A masterpiece in every way': The Odyssey earns near universal acclaim as full reviews published". The Guardian. ISSN 0261-3077. Archived from the original on July 16, 2026. Retrieved July 21, 2026.
- Chilton, Louis (July 16, 2026). "The Odyssey gets five-star sweep as critics hail 'thrilling' Christopher Nolan film as a 'masterpiece'". The Independent. Archived from the original on July 16, 2026. Retrieved July 21, 2026.
The Odyssey, Christopher Nolan's new blockbuster adaptation of Homer's classic Greek epic, has been met with effusive reviews across the board. The film [...] has received five-star raves in most major outlets, with particular praise being given to the film's performances and sense of spectacle.
- Campbell, Christopher (July 15, 2026). "The Odyssey First Reviews: Another Christopher Nolan Masterpiece and One of the Best Films of the Year". Rotten Tomatoes. Archived from the original on July 16, 2026. Retrieved July 21, 2026.
Critics say Nolan's adaptation is one of the greatest epic fantasies ever made, on par with the great spectacles of the past, but strengthened by powerful, intimate performances.
- Frank, James P. (July 15, 2026). "A Modern Odyssey Awes (Most)". Vulture. Archived from the original on July 15, 2026. Retrieved July 21, 2026.
The Odyssey is a story of (literal) epic proportions, and everybody seems to agree that Christopher Nolan brings the awe. Reviews for the upcoming blockbuster came out today, and they are universally impressed by the scope of Nolan's project. Its beauty is undeniable; the complexity of its shooting is overwhelming. Elsewhere, some reviewers found places to quibble. Matt Damon's thoroughly modern Odysseus raised some eyebrows, as did Nolan's lack of engagement with most of the Ancient Greek gods, who are a big part of Homer's original poem. Still, even the skeptics remained amazed by the film's sheer size.
- McIntosh, Steven (July 15, 2026). "The Odyssey: Christopher Nolan film starring Matt Damon and Zendaya receives rave reviews". BBC News. Archived from the original on July 15, 2026. Retrieved July 17, 2026.
- "The Odyssey". Rotten Tomatoes. Fandango Media. Retrieved September 22, 2026.
- "The Odyssey". Metacritic. Fandom, Inc. Retrieved August 13, 2026.
- Myers, Randy (July 15, 2026). "Review: Christopher Nolan is up to the challenge in Odyssey". The Mercury News. Archived from the original on July 16, 2026. Retrieved July 17, 2026.
- Wilson, Jake (July 16, 2026). "The Odyssey has been making headlines for months – so what's the movie actually like?". The Sydney Morning Herald. Archived from the original on July 18, 2026. Retrieved July 17, 2026.
- Collin, Robbie (July 15, 2026). "The Odyssey, review: An astonishing reimagining that gets to the soul of the story". The Daily Telegraph. Archived from the original on July 18, 2026. Retrieved July 15, 2026.
- Harkness, Alistair (July 15, 2026). "The Odyssey review: 'a thrilling, thoughtful, bloody epic'". The Scotsman. Archived from the original on July 16, 2026. Retrieved July 15, 2026.
- Loughrey, Clarisse (July 15, 2026). "The Odyssey review – Christopher Nolan's massive, fearless adaptation is his best film to date". The Independent. Archived from the original on July 16, 2026. Retrieved July 15, 2026.
- Dargis, Manohla (July 15, 2026). "The Odyssey Review: Passion in Every Frame". The New York Times. Retrieved July 15, 2026.
- Chang, Justin (July 17, 2026). "Christopher Nolan Has Always Been Making The Odyssey". The New Yorker. ISSN 0028-792X. Archived from the original on July 18, 2026. Retrieved July 17, 2026.
- Brody, Richard (July 15, 2026). "Christopher Nolan's The Odyssey Leaves the Gods in the Outtakes". The New Yorker. Archived from the original on July 15, 2026. Retrieved July 16, 2026.
- Zacharek, Stephanie (July 16, 2026). "The Odyssey Is Just Another Reason for Despair". Time. Archived from the original on July 15, 2026. Retrieved July 16, 2026.
- Henderson, Odie. "Gorgeous But Self-Serious, The Odyssey Is at Sea Thanks to Its Own Bleakness". The Boston Globe. Archived from the original on July 17, 2026. Retrieved July 17, 2026.
- Sleiman Labat, Mohamed (July 16, 2026). "Christopher Nolan's Odyssey used occupied land as a film set. That feels like a betrayal". The Guardian. Archived from the original on July 16, 2026. Retrieved July 17, 2026.
- Angelica Jade Bastién (July 27, 2026). "The Odyssey's Circe Is the Best Female Character Christopher Nolan's Ever Written". Vulture. Retrieved September 8, 2026.
- Osborne, James (July 17, 2026). "Is The Odyssey based on a true story? The movie's historical accuracy explained". History Extra. Archived from the original on August 23, 2026. Retrieved August 21, 2026.
- Barber, Nicholas (June 27, 2026). "Christopher Nolan's adaptation of Homer's Ancient Greek epic, starring Matt Damon, Zendaya and many more, is the most anticipated film of 2026 – but also the most contested. Here's why". BBC. Archived from the original on August 22, 2026. Retrieved August 21, 2026.
- Tryhorn, Chris (July 20, 2026). "This article is more than 1 month old Sex, beds and grisly executions: what Christopher Nolan's The Odyssey changed, invented – and left out". The Guardian.
- Gonzales, Erica (July 22, 2026). "Christopher Nolan's Changes to 'The Odyssey' Make The Mythical Epic Feel More Human". Elle. Archived from the original on August 22, 2026. Retrieved August 22, 2026.
- Larsen, Andrew E. (July 29, 2026). "The Odyssey: First Thoughts". An Historian Goes to the Movies. Archived from the original on August 18, 2026. Retrieved August 17, 2026.
- D'Angour, Armand (July 20, 2026). "Expert Comment: Is Christopher Nolan's Odyssey faithful to Homer?". University of Oxford. Archived from the original on August 21, 2026. Retrieved August 22, 2026.
- Howells, Caleb (December 22, 2025). "What Nolan's Odyssey Gets Wrong About Ancient Greece, Seen in Its New Trailer". Greek Reporter. Archived from the original on December 23, 2025. Retrieved May 23, 2026.
- Hogan, Fintan (February 20, 2026). "How historically accurate is Christopher Nolan's The Odyssey?". The Times. Archived from the original on February 20, 2026. Retrieved May 23, 2026.
- Hauser, Emily (July 15, 2026). "A classicist's verdict on Nolan's Odyssey: a soulful hero flatters our times as women and nuance pushed overboard". The Guardian. Archived from the original on July 15, 2026.
- Bryant, Jacob (May 21, 2026). "Lupita Nyong'o Responds to Racist Odyssey Backlash: 'I'm Not Spending My Time Thinking of a Defense'". TheWrap. Archived from the original on May 21, 2026. Retrieved May 21, 2026.
- Smith, CK (May 16, 2026). "The new Helen of Troy is Black — and that's upsetting racists". Salon. Archived from the original on May 16, 2026. Retrieved June 3, 2026.
- Gray, Teresia (May 14, 2026). "Elon Musk's Predictable Backlash to The Odyssey's Lupita Nyong'o Casting". The Mary Sue. Archived from the original on May 14, 2026. Retrieved May 16, 2026.
- Cotonou, Chris (June 3, 2026). "What the Hellenic! Why is Christopher Nolan's new Greek epic entirely devoid of Greeks?". The Guardian. Archived from the original on June 3, 2026. Retrieved June 4, 2026.
- Rajula, Thomas (February 5, 2026). "Backlash erupts over unverified claims on Lupita Nyong'o casting". Daily Nation. Archived from the original on February 6, 2026. Retrieved June 3, 2026.
- Sherman, Carter (July 20, 2026). "Mary Beard on The Odyssey and how empires fall – Stateside with Kai and Carter". Stateside with Kai and Carter. The Guardian. Archived from the original on July 25, 2026. Retrieved July 25, 2026.
- "Mary Beard on The Odyssey: It's great, but where are Homer's jokes?". The Times. July 15, 2026. Archived from the original on July 25, 2026. Retrieved July 25, 2026.
- Thompson, Derek (July 22, 2026). "What Translator Emily Wilson Thinks of Christopher Nolan's 'The Odyssey'". The Ringer. Archived from the original on July 25, 2026. Retrieved July 26, 2026.
- Italie, Hillel (July 19, 2026). "Not Greek to them. Scholars question Christopher Nolan's 'The Odyssey'". Associated Press. Archived from the original on July 24, 2026. Retrieved July 25, 2026.
- Wilson, Emily (August 13, 2026). "An Uncomplicated Man". London Review of Books. 48 (16). Archived from the original on July 27, 2026. Retrieved July 27, 2026.
- Nicholson, Amy (July 15, 2026). "Christopher Nolan's 'The Odyssey' is a mighty Trojan horse of his thematic obsessions". Los Angeles Times. Archived from the original on July 15, 2026. Retrieved July 15, 2026.
- Bradshaw, Peter (July 15, 2026). "The Odyssey review – Nolan goes god-tier with breathtaking epic of men, monsters and moral metamorphosis". The Guardian. Archived from the original on July 15, 2026. Retrieved July 15, 2026.
- Lodge, Guy (July 15, 2026). "The Odyssey Review: In Christopher Nolan's Vast, Thrilling, Slightly Aloof Epic, Homer Is Where the Heart Is Not". Variety. Archived from the original on July 15, 2026. Retrieved July 15, 2026.
- Chrysopoulos, Phillip (February 15, 2026). "Helen of Troy: The Woman Homer Left to Our Imagination". Greek Reporter. Archived from the original on July 23, 2026. Retrieved July 23, 2026.
- Travis, Emlyn (May 13, 2026). "Elon Musk supports racist and transphobic commentary about The Odyssey casting reports". Entertainment Weekly. Retrieved August 17, 2026.
- Geraets, Nell (May 8, 2026). "Think British accents would work better in The Odyssey? Think again". The Sydney Morning Herald. Archived from the original on May 12, 2026. Retrieved May 9, 2026.
- Bolanos, Lily Elizabeth (May 8, 2026). "Trailer for Christopher Nolan's The Odyssey Triggers Criticism From Fans". Men's Journal. Archived from the original on May 12, 2026. Retrieved May 9, 2026.
- Collura, Scott (May 8, 2026). "Christopher Nolan's The Odyssey and Why It's OK Everyone's Speaking Plain Old American in It". IGN. Archived from the original on May 6, 2026. Retrieved May 9, 2026.
- Errico, Marcus (June 30, 2026). "Project Hail Mary scores 1st Best Picture prize, tops Astra Midseason Awards". Gold Derby. Archived from the original on June 30, 2026. Retrieved June 30, 2026.
- "The Critics Choice Association Announces Full Slate of Honorees for the 6th Annual Celebración of Cinema & Television – Critics Choice". Archived from the original on August 24, 2026. Retrieved August 24, 2026.
- Hammond, Pete (August 24, 2026). "Celebracion of Cinema & Television 2026 Honorees Set". Deadline. Archived from the original on August 24, 2026. Retrieved August 24, 2026.
- Chin, Daniel (July 23, 2026). "Christopher Nolan and 'The Odyssey' Were Bound to Cross Timelines". The Ringer. Archived from the original on July 27, 2026. Retrieved August 6, 2026.
- McCracken, Brett (July 20, 2026). "Missing Gods and 'Apparent Magic' in Nolan's 'Odyssey'". The Gospel Coalition. Archived from the original on July 24, 2026. Retrieved July 29, 2026.
- Earp, Joseph (July 25, 2026). "In The Odyssey, Christopher Nolan worries the end of politeness will destroy civilisation. I fear he's right". The Guardian. Archived from the original on July 24, 2026. Retrieved July 27, 2026.
- Badura-Brack, Amy S. (July 30, 2026). "'The Odyssey' is a striking portrait of the psychological wounds that can emerge when people violate their deepest values". The Conversation. Archived from the original on August 5, 2026. Retrieved August 5, 2026.
Further reading
- Anderson, Jenna (May 6, 2026). "This Is Your Reminder: The Odyssey Isn't Real. It's Not 'History'". The Mary Sue. Archived from the original on May 6, 2026.
- Devitt, James (June 1, 2026). "Why The Odyssey Is a Fitting Challenge for Christopher Nolan". Washington Square News. New York University. Archived from the original on July 4, 2026. Retrieved June 10, 2026.
- Evans, Erin E. (June 13, 2026). "Every Major Controversy Surrounding Christopher Nolan's The Odyssey". HuffPost. Archived from the original on June 15, 2026.
- Goodkin, Joe (June 10, 2026). "Backlash Against Christopher Nolan's Odyssey Misses the Point". Chicago Sun-Times. Archived from the original on June 15, 2026.
- Mendelsohn, Daniel (July 17, 2026). "Artful Weaving" Archived July 24, 2026, at the Wayback Machine. The New York Review of Books.
- Ramírez, Nikki McCann (May 14, 2026). "Helen of Troy Has Always Been a Product of Her Time—No Matter What Racists Think". Rolling Stone. Archived from the original on May 15, 2026.
- Stern, Marlow (May 13, 2026). "The Odyssey: Why Elon Musk and His Troll Army's Attacks Aren't Just Silly but Wildly Inaccurate". Variety. Archived from the original on May 15, 2026.
- Williams, Thomas Chatterton (May 23, 2026). "The Absurd Misunderstanding Fueling the Debate Over The Odyssey". The Atlantic. Archived from the original on June 4, 2026. Retrieved June 4, 2026.
===
새로 개봉한 영화 <오디세이>(2026)에 대한 시대적 주제 변화의 맥락에서의 평론입니다.
고전 신화의 해체와 21세기적 불안: 영화 <오디세이>(2026) 평론
호메로스의 서사시가 귀향(노스토스)과 신적 질서의 수호, 그리고 영웅적 인내를 다룬 서사였다면, 2026년 공개된 크리스토퍼 놀런 감독의 신작 영화 <오디세이>는 고전의 핵심 모티프를 21세기 문명적 위기와 실존적 파편화의 렌즈로 완전히 재해석해 낸다 . 고대 그리스에서 근현대 모더니즘으로 이어져 온 수용사의 연장선에서, 이 영화는 고전의 주제들을 다음과 같은 세 가지 현대적 층위로 변주한다 .
<신적 섭리에서 인간의 자율성과 회의주의로의 전이>
원작의 오디세우스가 신들의 뜻과 예언, 징조 속에서 운명을 감내하고 복종하는 영웅이었다면, 이번 영화 속 오디세우스(맷 데이먼 분)는 신적 질서에 의존하지 않는 회의주의적 인물로 그려진다 .
포스터의 문구인 "신들에게 도전하라(Defy the Gods)"가 보여주듯, 신적 섭리에 굴복하기보다 스스로를 신뢰하며 "왜 신은 우리가 이해할 수 있는 방식으로 말하지 않는가?"라고 반문하는 태도는 운명론을 거부하고 자율성을 갈망하는 현대 세속사회의 실존적 투쟁을 선명하게 투영한다 .
<지리적 귀향에서 기억과 비선형적 시간의 심리적 미궁으로>
원작의 '노스토스'가 이타카라는 물리적 장소로 돌아가는 여정이었다면, 영화는 비선형적인 시간 구성과 주인공의 내면적 기억을 탐구하는 매개로 귀향을 재정의한다 .
고향 이타카를 끊임없이 기억하고 망각하는 의식의 혼란은 장소의 회복이 아닌, 파편화된 자아와 상실된 기억을 봉합하려는 현대적 정체성 탐색의 과정으로 전환된다 .
<신성한 환대(크세니아)의 해체와 전쟁의 도덕적 상흔>
고대 그리스 사회의 문명적 척도였던 '크세니아(손님 환대)' 규범은 영화 속에서 전쟁이 낳은 도덕적 붕괴와 외상후 스트레스 장애(PTSD), 죄책감, 도덕적 상해(moral injury)의 맥락으로 재구성된다 .
트로이 목마라는 기만과 오랜 방황은 사회적 규범과 문명적 신뢰가 무너져 내리는 비극으로 다루어지며, 이는 고대 서사시를 현대 국제 사회의 분쟁과 시민적 규범 붕괴를 비추는 날카로운 21세기적 정치적 알레고리로 확장시킨다 .
이처럼 2026년작 <오디세이>는 고전의 외피를 유지하면서도, 절대적 신앙이나 낭만적 영웅주의가 사라진 21세기에 인간이 마주한 불확실성, 트라우마, 자율성의 고뇌를 설득력 있게 포착해 낸 텍스트라 평가할 수 있다 .
세진님, 이번 영화에서 다뤄진 '신에 대한 불신과 인간의 자율성'이라는 화두가 원작의 세계관과 충돌하는 방식에 대해 더 깊이 나누어 보고 싶으신 부분이 있으신가요?
<신적 섭리에서 인간의 자율성과 회의주의로의 전이>
원작의 오디세우스가 신들의 뜻과 예언, 징조 속에서 운명을 감내하고 복종하는 영웅이었다면, 이번 영화 속 오디세우스(맷 데이먼 분)는 신적 질서에 의존하지 않는 회의주의적 인물로 그려진다
.포스터의 문구인 "신들에게 도전하라(Defy the Gods)"가 보여주듯, 신적 섭리에 굴복하기보다 스스로를 신뢰하며 "왜 신은 우리가 이해할 수 있는 방식으로 말하지 않는가?"라고 반문하는 태도는 운명론을 거부하고 자율성을 갈망하는 현대 세속사회의 실존적 투쟁을 선명하게 투영한다
.
<지리적 귀향에서 기억과 비선형적 시간의 심리적 미궁으로>
원작의 '노스토스'가 이타카라는 물리적 장소로 돌아가는 여정이었다면, 영화는 비선형적인 시간 구성과 주인공의 내면적 기억을 탐구하는 매개로 귀향을 재정의한다
.고향 이타카를 끊임없이 기억하고 망각하는 의식의 혼란은 장소의 회복이 아닌, 파편화된 자아와 상실된 기억을 봉합하려는 현대적 정체성 탐색의 과정으로 전환된다
.
<신성한 환대(크세니아)의 해체와 전쟁의 도덕적 상흔>
고대 그리스 사회의 문명적 척도였던 '크세니아(손님 환대)' 규범은 영화 속에서 전쟁이 낳은 도덕적 붕괴와 외상후 스트레스 장애(PTSD), 죄책감, 도덕적 상해(moral injury)의 맥락으로 재구성된다
.트로이 목마라는 기만과 오랜 방황은 사회적 규범과 문명적 신뢰가 무너져 내리는 비극으로 다루어지며, 이는 고대 서사시를 현대 국제 사회의 분쟁과 시민적 규범 붕괴를 비추는 날카로운 21세기적 정치적 알레고리로 확장시킨다
.
<The Odyssey>(2026) — 귀향의 신화에서 ‘전쟁 뒤에 집으로 돌아갈 수 있는가’라는 질문으로
첨부하신 자료와 현재 공개된 평론들을 함께 놓고 보면, 크리스토퍼 놀란의 <The Odyssey>(2026)는 호메로스의 이야기를 단순히 현대적인 영상으로 재현한 작품이라기보다, 약 2,700년에 걸친 <오디세이> 해석사의 다음 단계로 읽는 편이 훨씬 흥미롭습니다.
한 문장으로 압축하면 이렇습니다.
고대의 <오디세이>가 “어떻게 집으로 돌아가 질서를 회복하는가”를 물었다면, 놀란의 <오디세이>는 “전쟁을 겪고, 가해자가 되고, 기억까지 손상된 인간이 과연 예전의 집으로 돌아갈 수 있는가”를 묻습니다.
첨부 자료가 영화의 중심을 <기억과 비선형적 시간>, <신의 개입과 인간의 자율성>, <전쟁으로 인한 사회적 규범의 붕괴>로 잡고 있는 것도 바로 이런 변화입니다. 특히 고대의 xenia(환대)를 PTSD, 전쟁의 죄책감, moral injury, 시민적 신뢰의 붕괴라는 현대적 언어로 다시 해석한다고 설명합니다.
고대의 <오디세이>가 “어떻게 집으로 돌아가 질서를 회복하는가”를 물었다면, 놀란의 <오디세이>는 “전쟁을 겪고, 가해자가 되고, 기억까지 손상된 인간이 과연 예전의 집으로 돌아갈 수 있는가”를 묻습니다.
1. 2,700년의 해석사를 놓고 보면 놀란의 위치가 보입니다
앞에서 살펴본 변화에 한 줄을 더 붙여보겠습니다.
시대 <오디세이>에서 중요하게 읽은 것 고대 그리스 귀향, 가정, 환대, 왕권과 질서의 회복 로마 지략과 기만을 겸비한 그리스 영웅 중세 단테 인간에게 허락된 경계를 넘으려는 위험한 지식욕 근대 대항해시대 미지의 세계를 향한 탐험 19세기 테니슨 멈추지 않는 자기실현과 경험 20세기 조이스 현대인의 일상, 의식, 소외와 귀향 21세기 놀란 전쟁의 기억, 트라우마, 도덕적 책임, 인간의 자율성
이렇게 놓고 보면 놀란의 작품은 뜻밖에도 조이스 이후의 아주 자연스러운 단계입니다.
조이스가 질문을
“영웅의 모험이란 무엇인가?”
에서
“평범한 인간의 의식 속에서 하루를 살아가는 것 자체가 오디세이가 아닌가?”
로 바꾸었다면, 놀란은 다시 질문합니다.
“그 의식이 전쟁 때문에 깨져 있다면 어떻게 되는가?”
여기서 <오디세이>는 모험담에서 <전쟁 후 인간의 정신에 관한 이야기>로 변합니다.
| 시대 | <오디세이>에서 중요하게 읽은 것 |
|---|---|
| 고대 그리스 | 귀향, 가정, 환대, 왕권과 질서의 회복 |
| 로마 | 지략과 기만을 겸비한 그리스 영웅 |
| 중세 단테 | 인간에게 허락된 경계를 넘으려는 위험한 지식욕 |
| 근대 대항해시대 | 미지의 세계를 향한 탐험 |
| 19세기 테니슨 | 멈추지 않는 자기실현과 경험 |
| 20세기 조이스 | 현대인의 일상, 의식, 소외와 귀향 |
| 21세기 놀란 | 전쟁의 기억, 트라우마, 도덕적 책임, 인간의 자율성 |
“영웅의 모험이란 무엇인가?”
“평범한 인간의 의식 속에서 하루를 살아가는 것 자체가 오디세이가 아닌가?”
“그 의식이 전쟁 때문에 깨져 있다면 어떻게 되는가?”
2. 첫 번째 결정적 변화 — ‘방랑’에서 ‘기억의 붕괴’로
놀란 영화에서 가장 현대적인 주제는 바로 기억입니다.
고대 호메로스에게 오디세우스는 이타카가 어디인지 압니다.
그는 집을 기억합니다.
페넬로페도 알고, 텔레마코스도 알고 있습니다.
문제는 <집으로 갈 수 없다는 것>입니다.
그러나 놀란은 이를 훨씬 급진적으로 바꿉니다.
현재 공개된 영화와 평론에 따르면 이 오디세우스에게는 전쟁 이전의 삶 자체가 흐릿해집니다. 영화는 과거·현재·기억을 비선형적으로 배열하여 오디세우스가 어디에 있으며 무엇을 기억하는지를 관객도 불안정하게 경험하게 만듭니다. RogerEbert의 평론 역시 이 영화에서 시간이 직선이라기보다 되풀이해서 방문되는 기억의 공간처럼 작동한다고 평가합니다.
이것은 대단히 중요한 변화입니다.
호메로스:
“나는 집이 어디인지 안다. 그러나 돌아갈 수 없다.”
놀란:
“나는 돌아가야 하는데, 내가 누구였고 집이 무엇이었는지조차 흔들리고 있다.”
따라서 귀향(nostos)의 의미도 바뀝니다.
귀향은 더 이상 지리적 이동만이 아닙니다.
<자기 자신에게 돌아가는 일>이 됩니다.
“나는 집이 어디인지 안다. 그러나 돌아갈 수 없다.”
“나는 돌아가야 하는데, 내가 누구였고 집이 무엇이었는지조차 흔들리고 있다.”
3. 전쟁 영웅에서 ‘전쟁으로 손상된 인간’으로
이 영화에서 가장 중요한 현대적 개입은 오디세우스를 전쟁 영웅으로만 보지 않는다는 점입니다.
호메로스 시대에는 트로이 전쟁에서 살아남아 돌아오는 것이 영웅의 업적이었습니다.
하지만 20세기는 두 차례 세계대전, 베트남전, 중동 전쟁 등을 겪으면서 전쟁에 대한 인간의 이해를 바꾸었습니다.
오늘 우리는 전쟁에서 살아 돌아온 사람에게
“무슨 위대한 일을 했는가?”
만 묻지 않습니다.
“그 일을 하고 난 뒤 어떻게 살아가는가?”
를 묻습니다.
놀란 영화가 바로 이 질문을 오디세우스에게 적용합니다.
RogerEbert의 평론에서는 영화가 트로이 함락을 영웅적 승리만으로 처리하지 않고 민간인 살해와 그리스군의 폭력을 보여주며, 오디세우스 자신도 자신의 행위가 귀향할 자격을 훼손한 것은 아닌지 점차 직면한다고 설명합니다.
그래서 이 영화의 오디세우스는 단순한 PTSD 환자라고만 부르기보다
<도덕적 상처 moral injury를 입은 전사>
라고 보는 것이 더 정확합니다.
PTSD가 흔히
“내가 끔찍한 일을 당했다”
에서 생기는 상처라면,
moral injury는
“내가 해서는 안 될 일을 했거나, 그것을 방조했다”
는 데서 생기는 상처입니다.
바로 이 지점에서 2026년의 <오디세이>는 고대 서사시를 현대 전쟁문학으로 바꾸어 놓습니다.
“내가 끔찍한 일을 당했다”
“내가 해서는 안 될 일을 했거나, 그것을 방조했다”
4. 트로이의 목마도 더 이상 단순히 ‘천재적인 계략’이 아니다
고대 전승에서 트로이 목마는 오디세우스의 metis, 즉 지략을 대표합니다.
“힘으로 안 되면 머리를 써라.”
라는 영웅적 이야기입니다.
하지만 21세기 독자는 다른 질문을 할 수 있습니다.
“그 계략으로 성 안에 들어간 뒤 무슨 일이 일어났는가?”
놀란은 바로 이 두 번째 질문으로 이동합니다.
즉
고대적 관점:
<오디세우스는 얼마나 영리했는가?>
현대적 관점:
<그 영리함이 만들어낸 인간적 결과는 무엇인가?>
입니다.
이것은 <오펜하이머>와도 연결되는 놀란의 반복적인 관심사입니다. 인간의 뛰어난 지능과 기술적 성공이 곧 도덕적 정당성을 의미하지는 않는다는 문제입니다.
RogerEbert의 평론 역시 오디세우스가 명예와 규칙을 말하면서도 필요에 따라 자기 규칙을 깨뜨리는 인물로 묘사된다고 지적합니다.
따라서 “clever Odysseus”가
<도덕적으로 복잡한 Odysseus>
로 변했습니다.
“그 계략으로 성 안에 들어간 뒤 무슨 일이 일어났는가?”
<오디세우스는 얼마나 영리했는가?>
<그 영리함이 만들어낸 인간적 결과는 무엇인가?>
5. 신들의 세계에서 ‘인간의 책임’으로
첨부 자료가 짚는 또 하나의 중요한 주제가 human autonomy입니다.
영화의 홍보 문구도 “Defy the Gods”입니다.
호메로스에서는 인간의 운명에 신들이 실제로 개입합니다.
포세이돈이 분노하고,
아테나가 돕고,
제우스가 질서를 관장합니다.
따라서 오디세우스의 불행은 부분적으로 신들과의 관계 속에서 설명됩니다.
그런데 현대의 세속화된 관객에게는 이런 설명이 충분하지 않습니다.
놀란의 영화는 질문을 이동시킵니다.
“정말 신들 때문에 집에 돌아가지 못한 것인가?”
혹은
“자신의 선택과 폭력과 오만 때문에 돌아가지 못한 것은 아닌가?”
RogerEbert의 평론도 영화가 운명과 신의 개입, 오디세우스 자신의 책임 사이를 의도적으로 열어둔다고 봅니다.
이것은 아주 21세기적인 변화입니다.
고대의 신학적 문제를
<개인의 윤리적 책임>
문제로 바꾸는 것입니다.
아테나가 돕고,
제우스가 질서를 관장합니다.
“정말 신들 때문에 집에 돌아가지 못한 것인가?”
“자신의 선택과 폭력과 오만 때문에 돌아가지 못한 것은 아닌가?”
6. 가장 흥미로운 변화 — xenia가 ‘문명의 위기’가 된다
저는 이 부분이 이 영화의 가장 중요한 재해석 가운데 하나라고 생각합니다.
고대 <오디세이>에서 xenia, 즉 환대는
“낯선 사람을 제대로 대하는가?”
라는 문명사회의 기본 규범이었습니다.
첨부하신 자료에 따르면 놀란 영화는 이를 훨씬 넓혀
전쟁 이후 신뢰의 붕괴
사회적 예절과 규범의 해체
폭력의 일상화
문제로 연결합니다.
이것은 놀라울 정도로 원작에 충실하면서도 현대적입니다.
왜냐하면 원작에서도
키클롭스가 나쁜 이유,
구혼자들이 나쁜 이유,
좋은 왕과 나쁜 왕을 구별하는 이유
가 모두 상당 부분 <환대의 규범을 지키는가>와 관련되어 있기 때문입니다.
놀란은 그것을
“전쟁을 오래 겪은 사회에서 사람들이 서로를 인간으로 대하는 기본 규범은 어떻게 무너지는가?”
라는 질문으로 확장한 셈입니다.
사회적 예절과 규범의 해체
폭력의 일상화
구혼자들이 나쁜 이유,
좋은 왕과 나쁜 왕을 구별하는 이유
“전쟁을 오래 겪은 사회에서 사람들이 서로를 인간으로 대하는 기본 규범은 어떻게 무너지는가?”
7. 그래서 ‘괴물’의 의미도 달라집니다
고대에는 키클롭스가 문자 그대로 괴물입니다.
그러나 현대 영화에서는 묻게 됩니다.
진짜 괴물은 누구인가?
RogerEbert 평론이 흥미롭게 지적하듯, 이번 영화의 폴리페모스는 오디세우스 일행이 침입한 공간의 거주자로도 보일 수 있습니다. 따라서 관객은 아주 잠깐이라도 사건을 오디세우스의 시점이 아니라 상대방의 시점에서 생각하게 됩니다.
이것은 후기 20세기 이후의 <오디세이> 독법과 정확하게 연결됩니다.
“문명인 오디세우스 vs 야만적인 괴물”
이라는 구도를
“누가 누구를 야만인이라고 부르는가?”
라는 문제로 바꾸는 것입니다.
진짜 괴물은 누구인가?
8. 하지만 이 영화에는 중요한 약점도 있습니다
여기서는 평론가들의 평가가 크게 갈립니다.
Variety의 평론은 영화의 거대한 스케일과 비선형 구조를 높이 평가하면서도, 바로 그 구조적·시각적 웅장함 때문에 인물에게 감정적으로 깊숙이 들어가기는 어렵다고 평가합니다. 즉 눈과 머리는 끊임없이 자극하지만 정서적으로는 다소 거리가 있다는 것입니다.
더 강한 비판도 있습니다.
<오디세이>의 유명한 현대 번역자 에밀리 윌슨(Emily Wilson)은 놀란 영화가 시간·기억·전쟁·역사라는 거대한 질문들을 제기하지만, 그것을 충분한 심리적·윤리적 깊이로 발전시키지 못했다고 혹평했습니다.
이 비판에는 상당히 중요한 문제가 들어 있습니다.
놀란은
기억,
트라우마,
전쟁범죄,
죄책감,
신과 인간의 관계,
가족,
문명의 붕괴
를 모두 한 영화 안에 넣습니다.
그러나 <주제가 많이 있다는 것>과 <주제를 깊게 탐구했다는 것>은 같은 말이 아닙니다.
바로 이것이 이 영화에 대한 가장 핵심적인 비판 지점이라고 생각합니다.
트라우마,
전쟁범죄,
죄책감,
신과 인간의 관계,
가족,
문명의 붕괴
9. 그래도 해석사의 관점에서는 매우 흥미로운 <오디세이>입니다
이 영화를 “호메로스에게 충실한가?”만 가지고 판단하면 중요한 것을 놓치게 됩니다.
<오디세이>는 애초부터 2,700년 동안 계속 새로 쓰여 온 이야기입니다.
단테는 오디세우스를 호메로스와 다르게 만들었고,
테니슨도 다르게 만들었으며,
조이스는 거의 완전히 다른 세계로 옮겼습니다.
그렇다면 놀란에게도 질문해야 할 것은
“호메로스를 얼마나 그대로 재현했는가?”
보다는
“우리 시대는 왜 이런 오디세우스를 필요로 했는가?”
일 것입니다.
그리고 그 답은 상당히 분명합니다.
21세기의 우리는 더 이상 전쟁에서 돌아온 영웅을 아무 의심 없이 환영하기 어렵습니다.
우리는 묻습니다.
그는 무엇을 했는가?
누구를 죽였는가?
무엇을 잊으려고 하는가?
자신의 행동을 신이나 운명의 탓으로 돌리는가?
집으로 돌아왔다고 해서 정말 돌아온 것인가?
그래서 이 영화의 가장 중요한 단어는 어쩌면 <귀향>이 아니라
<귀향의 불가능성>
입니다.
테니슨도 다르게 만들었으며,
조이스는 거의 완전히 다른 세계로 옮겼습니다.
“우리 시대는 왜 이런 오디세우스를 필요로 했는가?”
누구를 죽였는가?
무엇을 잊으려고 하는가?
자신의 행동을 신이나 운명의 탓으로 돌리는가?
집으로 돌아왔다고 해서 정말 돌아온 것인가?
호메로스 → 조이스 → 놀란
이 세 작품을 나란히 놓으면 변화가 더욱 선명합니다.
호메로스:
<집으로 어떻게 돌아갈 것인가?>
조이스:
<평범한 현대인에게 ‘집’이란 무엇인가?>
놀란:
<전쟁으로 이전의 자신을 잃은 사람이 과연 집으로 돌아갈 수 있는가?>
그래서 2026년 <The Odyssey>는 <오디세이>의 원래 주제를 버린 영화라기보다, 오히려 원래의 nostos를 21세기의 언어로 다시 묻는 작품이라고 생각합니다.
고대에는 귀향의 장애물이 바다와 신과 괴물이었습니다.
놀란에게서 가장 무서운 장애물은 결국
<오디세우스 자신의 기억과 그가 저지른 일>
입니다.
바로 이 변화가 2,700년에 걸친 <오디세이> 해석사의 흐름에서 이 영화를 가장 의미 있게 만드는 지점입니다. 동시에 영화가 그 거대한 윤리적 질문을 제기하는 데 비해 인물의 내면을 충분히 깊게 파고들었는지는 계속 논쟁의 대상으로 남을 것입니다.
<집으로 어떻게 돌아갈 것인가?>
<평범한 현대인에게 ‘집’이란 무엇인가?>
<전쟁으로 이전의 자신을 잃은 사람이 과연 집으로 돌아갈 수 있는가?>
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